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Reviews

The Stone Speakers

One of the best things about moviegoing is watching a rising star come into their own element.  Up-and-coming actors are always praised for this, but we don’t shed enough light on indie filmmakers who finally find the right vehicle for them.

Reviews

There Are No Fakes

Kevin Hearn, keyboardist for The Barenaked Ladies and an avid art collector, accidentally opened a can of worms by purchasing a painting by late indigenous artist Norval Morrisseau.  During an exhibit of Hearn’s curated pieces at the Art Gallery of Ontario, his Morrisseau was proven to be bogus.  This pivotal event (which also led to a lengthy court case) pulled a thread, unravelling conflicting opinions surrounding a remarkable mystery behind Morrisseau’s work.

Reviews

Chasing Perfect

By: Trevor Chartrand Chasing Perfect is a car design documentary with a very narrow focus, and it will undoubtedly appeal to a fairly niche audience as a result.  The film chronicles the life and career of legendary car designer Frank Stephenson, the creative mind behind a variety of modern vehicles from flashy sports cars to practical SUVs.

Reviews

Maiden

By: Jolie Featherstone Maiden opens in the middle of a cold and unforgiving ocean.  Waves as tall as houses tumble and crash.  A preternaturally calm voice is heard over the roar: “the ocean is always trying to kill you.”  The roar continues.  A storm brews in the increasingly agitated sky.  “It doesn’t take a break.”

Reviews

Melody Makers: Should’ve Been There

Sam Tweedle, a local theatre critic for KawarthaNow.com, is one of the most well-versed music wiz’s I know. We occasionally run into each other at local productions he’s writing about, but I’m almost more familiar with his online takes on his favourite musicians and underrated albums. During our run-ins, he picks my brain about movies. We agree on Kirk Cameron, we disagree on 1st Summoning, but I digress.

Reviews

Paris Is Burning

Jennie Livingston’s award-winning documentary Paris Is Burning has received a 4K restoration twenty-eight years after its initial release, and it’ll screen in select theatres across Canada throughout the year.  I believe the re-release was planned in part to curate the footage, but also because the documentary is relevant as ever.