While it may appear as a sole sequel to Michael Moore’s 2004 hit documentary Fahrenheit 9/11, Fahrenheit 11/9 is also a spiritual, updated follow-up to some of Moore’s other movies. Movie goers will notice hints of Bowling for Columbine, Michael Moore in TrumpLand, and Sicko as the Oscar-winning documentarian covers gun control, political divides, and the health and safety of Flint, Michigan’s water supply in this provocative presidential exposé.
Love, Gilda captures the spirit and energy of comedienne Gilda Radner. That achievement alone makes Lisa Dapolito’s documentary a success. What makes the film particularly exceptional though is how it duals as a recap of Radner’s life, and as a master class in comedy.
At a time where democracy is in danger of losing its way, it is necessary to ask a few questions regarding the next steps towards putting democracy back on the right path, and whether democracy is even a system worth saving. Astra Taylor’s NFB-produced What is Democracy? attempts that feat but, unfortunately, comes up short.
Eating Animals is an eye-opener, despite giving audiences the urge to turn away at times.
Featured in the festival’s Wavelengths selection, Andrea Bussmann’s Fausto shows audiences why this particular programme is so important for a well-rounded TIFF experience.
By: Trevor Chartrand When a documentary filmmaker invests years of their life studying one subject, it goes without saying that this is a subject they have a lot of passion for. However, the real trick is to take this topic – whatever it may be – and get an audience equally invested. As much as the filmmaker may love the subject matter, the viewers need to care too. This is where The Coolest Guy Movie…
Toronto filmmaker Sofia Bohdanowicz travels to Paris, France to tentatively live with a colleague’s mother, Juliane Sellam, in the documentary Maison du Bonheur, a boring film that never lives up to its experimental ambition.
There is a police parade walking down the street. Dozens of men in uniform are walking in formation, surrounded by revelers. Suddenly, Andy Kaufman pulls out a gun and shoots someone down. He is subdued and shot. With his last breath, he says “God told me to.” I have only seen one Larry Cohen film, and yet it managed to contain one scene which placed itself directly into my brain. Cohen has spent decades writing…
By: Jessica Goddard Alison McAlpine’s Cielo is visually breathtaking, but contemplative to the point of being slow.
If you have ever read Vito Russo’s The Celluloid Closet or have seen the 1995 documentary based on the book, you would know quite well that Hollywood was full of closeted queer individuals working as actors, directors, producers and everything else; trying their hardest to live their truest lives, while also keeping the truth hidden. Scotty and the Secret History of Hollywood tells another side of that story.