Kusama: Infinity is an intelligible art doc. But instead of chronicling an artist’s past, it generally focuses on their psychological process.
1999 (DIR. Samara Grace Chadwick) A hauntingly dreamlike style of documentary and exploration of memory, Samara Grace Chadwick’s 1999 is artistically-conceived though low on information.
Playing Hard (DIR. Jean-Simon Chartier) Jean-Simon Chartier’s behind-the-scenes glimpse into the world of video game development is engrossing, informative, and unexpectedly full of tension and drama.
The Cleaners (DIR. Hans Block, Moritz Riesewieck) Hans Block and Moritz Riesewieck’s The Cleaners is a documentary that claims to be one thing, but is really about another topic.
“The planet is fine, the people are f*cked.”
Golden Dawn Girls (DIR. Håvard Bustnes) Håvard Bustnes’ Golden Dawn Girls is a feature-length interview-of-sorts with several female relatives of Nikolaos Michaloliakos, the head of the far-right, Greek “social nationalist” party known as Golden Dawn.
ABU is a beautiful trip through the life of Pakistani-Muslim filmmaker Arshad Khan. It’s also an outstanding and promising feature-length debut by the filmmaker.
By: Trevor Chartrand Documentary filmmaker Delila Vallot brings the world passion and soul personified in her emotionally-charged character study, Mighty Ground.
Itzhak is a charming and easygoing documentary about renowned violinist Itzhak Perlman.
As a film critic, you try to keep an open mind; especially with subject matter that may not be of personal interest in the first place. Those films have the opportunity to teach something new. That said, economical documentaries are still my kryptonite – they’re still too dense to comprehend. Jed Rothstein’s The China Hustle – a film about devious activity on Wall Street – is more proof of that, but it also surprised me.