While Trolls Band Together works as an innocuous piece of children’s entertainment, it’s official that the popular animated series may be finally spinning its wheels and overreaching for ideas. Resident franchise directors Walt Dohrn (Trolls World Tour) and Tim Heitz (Trolls Holiday in Harmony) return to helm this sequel that does something the other feature-length movies haven’t done: call attention to itself.
The Humans is the type of movie that makes you want to jump through the screen. Not because the film has transported you and swallowed you up, but rather because you want a better seat and you want to tell everyone to speak up.
Comedienne Amy Schumer is at her best when she’s in unfamiliar waters and vocalizing about it. By being incredibly observant and quick-witted, she forms a unique and bold perspective that humorously addresses relatable hesitation. This transferable approach is why her film roles have worked for me as well (Trainwreck, Snatched, I Feel Pretty).
We’re halfway through the year, which means it’s time for Wylie Writes’ recap of the best and the worst films of 2018. Don’t forget to click the coloured titles to read a more detailed write-up about the film!
By: Jessica Goddard Blandly written and clunkily delivered, I Feel Pretty has its moments but is mediocre to the point of vexation. A sort of cross between Shallow Hal and 13 Going on 30, the premise is probably well-intentioned as far as messaging is concerned, but it’s almost like this movie gives up on itself midway through. Indeed, it’s getting hard out here for those of us rooting for Amy Schumer’s film career.
Dying Laughing, a documentary about the ups and downs of careers in comedy, is chock full of talent. Billy Connolly, Dave Attell, Amy Schumer, Rick Overton, Kevin Hart, Sarah Silverman, Keenen Ivory Wayans, Jerry Seinfeld, Jerry Lewis, Chris Rock, and the late Garry Shandling are just some of the famous faces interviewed.
By: Addison Wylie Trainwreck is much more than a vehicle for rising comedic star Amy Schumer. It’s easily Judd Apatow’s strongest work as a filmmaker, evidence that Schumer’s honesty flows through her long form screenwriting, and the best romantic comedy this critic has seen since 2008’s criminally underrated Definitely, Maybe. Definitely, Maybe is a standard sort of rom-com, where Trainwreck sends home the same type of charm but also reflects contemporary pessimism towards romance. It…