The Hollow Child is a feature film debut for screenwriter Ben Rollo and director Jeremy Lutter, and it’s an efficient entry-level vehicle for both of them even if this horror feels like a retread.
Out of everyone in Hollywood, I least expected comedian Ike Barinholtz (The Mindy Project, Neighbours 2: Sorority Rising, Blockers) to write and direct an impassionately-charged social satire that hilariously addresses today’s disturbing political divide.
For a documentary revolving around a death-defying act of athletic spirit and psychological endurance, Free Solo is surprisingly underwhelming but also not without some merit.
Bigger is an abysmal biopic about the Weider brothers, Joe and Ben, which is unfortunate because the world of fitness is due for an engrossing movie. Not a flabby flick like this.
Some will compare Strange Nature to Eli Roth’s Cabin Fever based on a glance at the film’s premise about a deadly outbreak. Others, including myself, will find the flick to be a fitting throwback to a brand of vintage cinema that gave audiences thrills and chills yet remained ambiguous about its genre. Is it a horror? A thriller? And, does the plot act as a parable for a real-life disaster? In the same way Godzilla…
The Purge wasn’t a typical horror film. It was an intense bottle film that found ways to give movie goers the heebie-jeebies by poking holes in assumably safe conditions. It also showcased nimble newcomer James DeMonaco, a skillful director who could use paranoia and predictability to deliver an engrossing movie. DeMonaco directed the next two Purge movies – films I never saw but I’ve been eager to catch up with. Hopefully, those films are better…
Lizzie is a decent psychological slow burn, but its problematic pacing leaves me wondering if the film could’ve been stronger had it been workshopped more. With his second feature film, director Craig William Macneill demonstrates his ability to build tension through taut silences and piercing instrumentals. However, Bryce Kass’ script doesn’t match the filmmaker’s patience.
Reviewing movies can be such a subjective experience. Sure, I’m writing about my feelings towards the film and how it affected me, but I also have to keep in mind that an audience – completely different to myself – may engage with it more.
While it may appear as a sole sequel to Michael Moore’s 2004 hit documentary Fahrenheit 9/11, Fahrenheit 11/9 is also a spiritual, updated follow-up to some of Moore’s other movies. Movie goers will notice hints of Bowling for Columbine, Michael Moore in TrumpLand, and Sicko as the Oscar-winning documentarian covers gun control, political divides, and the health and safety of Flint, Michigan’s water supply in this provocative presidential exposé.
Love, Gilda captures the spirit and energy of comedienne Gilda Radner. That achievement alone makes Lisa Dapolito’s documentary a success. What makes the film particularly exceptional though is how it duals as a recap of Radner’s life, and as a master class in comedy.