After making a decent impression with her unsettling segment in the horror anthology XX, Canadian filmmaker Jovanka Vuckovic takes a swing at directing a feature-length story with Riot Girls.
Ugandan import Crazy World is on another level than most action movies.
You don’t so much watch Freaks as you do discover it. As the writers and directors of this terrific flick, Zach Lipovsky (co-producer of Afflicted) and Adam Stein do a good job building anticipation in their sci-fi/thriller. Each scene contains clues, and it’s up to the audience to piece the film’s premise together up until the somewhat typical finale.
In his documentary Coppers, Alan Zweig (15 Reasons To Live) interviews Canadian ex-police officers. Occasionally, viewers are given the a ride-along perspective as the subjects drive around their formally patrolled turf and share some unforgettable stories. Most of these interviewees can recall aged confrontations as if it happened hours before Zweig’s camera turned on. For some, these cases have led to current wellness complications. Along with riding shotgun, Zweig has also emulated the atmosphere of…
This Changes Everything comes from a good place. But, the points expressed in this documentary about gender inequality are sometimes muddled by the doc’s filmmaking.
Max Lewkowicz’s documentary Fiddler: A Miracle of Miracles teaches viewers about the history of the iconic musical Fiddler on the Roof, as well as the play’s cultural impact which still maintains its relevance to this day since first opening in 1964.
Illumination Entertainment and Universal Pictures have had luck with short films that star popular characters from their franchises; most notably those minions from the Despicable Me series. This success with the short-form platform is experimented with in The Secret Life of Pets 2, the feature-length sequel to 2016’s hit family film.
The Peanut Butter Falcon is an outstanding example of how filmmakers can make an in-the-moment crowd-pleaser and push it towards being a timeless classic. Written and directed by Tyler Nilson and Mike Schwartz, The Peanut Butter Falcon is a road movie that plays as a contemporary take on American fables; filled with recovering characters that are all endearing in their own ways.
When a film is described as “faith-based”, it seems to be a seal of fate for audiences who are ready to will it away if they don’t necessarily share the same beliefs. For filmmakers, it’s a tactic to deflect those same movie goers (and some critics) away from their work. But Overcomer, the latest film from Alex Kendrick (Fireproof, Courageous, War Room), could be a watershed for both sides.
Spice It Up does something really special that I hope will translate to general audiences. It rips on practically everything that has to do with making a movie, including those brave enough to take on such a task. It even doubles down on its niche by teasing student filmmakers and the amateur qualities they have yet to grow out of. Spice It Up isn’t mean, but it’s self-aware enough to shoot off some well-meaning friendly…