Addison Wylie


Perfect Days

Perfect Days is a balm for the soul: clearing carried-over pessimism, reminding audiences of how astounding life can be, not shaming solitary lifestyles but also suggesting that our hearts should be open to the communities around us.  All of these epiphanies orbiting around the routine of public washroom cleaner Hirayama (Kôji Yakusho, who won Best Actor at last year’s Cannes Film Festival for his introverted performance).



With only two features under their belt, married filmmakers Dane Clark and Linsey Stewart have demonstrated that a story can be singlehandedly developed on a unique and personal dynamic between two characters. While their debut indie I Put A Hit On You may have fizzled after liftoff, their sophomore effort Suze shows growth in all the right areas; resulting in an absolute crowd-pleasing charmer.


Your Fat Friend

Anonymous blogging activist-turn-New York Times best selling author Aubrey Gordon is a joy to listen to.  Her opinions regarding her size, as well as the personal experiences that have tangentially spawned because of her weight, have led to outlets allowing Gordon to discuss being fat.  Her career path has also opened opportunities to educate others about various biases and complexities that come from inconsiderate assumptions and soured good intentions.


The Peasants

With The Peasants, filmmakers DK Welchman and Hugh Welchman return to a similar animation style that previously earned them an Academy Award nomination for 2017’s Loving Vincent.  Loving Vincent was a tribute to artist Vincent van Gogh, both in spirit and in visual flare.  The Peasants adapts Wladyslaw Reymont’s novel of the same name, and channels the artistry of various painters from the 19th and 20th century.  While I can’t confidently comment on how faithful…


The Promised Land

The Promised Land presents itself as an epic period drama about a former soldier, Captain Ludvig Kahlen (Mads Mikkelsen of Casino Royale and Another Round), dedicating his remaining lifetime to mend a troubled Danish heath and build a settlement.  The challenges he faces include the environmental barrenness of the land, outsiders who doubt Kahlen’s ambitions, and the breaching interruptions by selfish and wealthy Frederik de Schinkel (Simon Bennebjerg).



Suncoast has such sunny appeal for a movie about death.  Maybe it’s the Floridian setting, maybe it’s because this dramedy skims the surface of its morose material.  A case could also be made that Laura Chinn’s filmmaking debut is supposed to mirror the disconnected feelings of the story’s lead character, Doris.