Kings is an incomplete film with a 90s backdrop of Los Angeles, weeks before the city’s infamous riots. Centred around Rodney King’s public beating, the trial, and the controversial verdict that followed, Millie Dunbar (Halle Berry) accepts youth into her foster family as she observes the racial divide between South Central’s black community and the LAPD.
The Cleaners (DIR. Hans Block, Moritz Riesewieck) Hans Block and Moritz Riesewieck’s The Cleaners is a documentary that claims to be one thing, but is really about another topic.
Everyone’s weird, and there’s nothing wrong with that. At least, that’s the message driving Kyle Rideout’s outrageous Canadian teen comedy Adventures in Public School.
“The planet is fine, the people are f*cked.”
Before making Kodachrome, filmmaker Mark Raso directed Copenhagen and screenwriter Jonathan Tropper wrote This Is Where I Leave You. Both of those were modest movies with family drama and pleasant dynamics. Kodachrome is more of the same from these two men, which is good for Netflix audiences looking for an easy watch, but slightly disappointing for movie goers expecting more than unchallenging schmaltz.
I can’t decide whether Mobile Homes is genuine or not. Its portrait of off-the-grid living and underground ugliness looks real to an upsetting extent, but the characters are unbelievable.
Based on Antonio Di Benedetto’s novel, Zama is a period piece based around a personal and unfathomable hell.
Selected by members of WIFT-T (Women in Film and Television Toronto) from nominated films that best represent the filmmaking community, WIFT-T’s Spring showcase is known for its diverse work. That same consistency is maintained this year.
Indian Horse is ingrained with prejudice experienced by Canada’s Indigenous people. Director Stephen S. Campanelli, who is usually hired as a camera operator on mainstream films, gives his audience a firsthand perspective of this chilling history while adapting Richard Wagamese’s award-winning novel of the same name.
Björn Borg, a mannered enigma, and John McEnroe, a hot head with a brash reputation, developed a public rivalry with each other based on their differences in athletic gameplay and sportsmanship. However, if you’re looking for a explanatory grasp on their relationship, you won’t find it in Borg vs. McEnroe. The film itself is adequate by biopic and sport movie standards – merely on its surface – but its focus is more targeted on individual arcs.