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Addison Wylie

Reviews

Sierra Burgess Is a Loser

The Netflix Gods heard my distain for the streaming service’s teen flick hit To All the Boys I’ve Loved Before, and they’ve gifted me a charming high school comedy titled Sierra Burgess Is a Loser as an apologetic gesture.  Call it coincidental timing, I call it wishful thinking.

Reviews

Cardinals

Chilly character drama Cardinals revolves around a trauma that ends in death and a prison sentencing.  And while it appears justice has been served, interest flares up when suspicions drudge up the past.

Reviews

American Animals

Playing like a more intellectual and more comprehensible Pain & Gain, Bart Layton’s American Animals is a clever adaptation of a true crime involving young unconventional thieves who fear their lives are aimless.  They decide to be proactive by organizing a score that would later be known as one of the most audacious heists in U.S history.

Reviews

Papillon

As someone who – sheepishly – isn’t qualified to compare this remake to its original source material (the 1973 classic starring Steve McQueen and the books written by Henri Charrière), I can tell you that as a standalone prison drama, Papillon works very well.

Reviews

Maison du Bonheur

Toronto filmmaker Sofia Bohdanowicz travels to Paris, France to tentatively live with a colleague’s mother, Juliane Sellam, in the documentary Maison du Bonheur, a boring film that never lives up to its experimental ambition.