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It Comes at Night

There is a tradition in American horror cinema of making a short film with a lot of effects and minimal plot to be eventually used as a calling card.  It seems like this practice has found its way into the feature length semi-mainstream.  At least, that’s the only explanation for the existence of Trey Edward Shults’ It Comes at Night, a film which shows the director’s abilities as a horror filmmaker – including his great gift for…