You Cannot Kill David Arquette
I may have forgotten about 2000’s buddy comedy Ready to Rumble, starring David Arquette and Scott Cann, but it turns out wrestling fans neither forgive or forget.
I may have forgotten about 2000’s buddy comedy Ready to Rumble, starring David Arquette and Scott Cann, but it turns out wrestling fans neither forgive or forget.
By: Trevor Chartrand While entertaining and informative, Happy Happy Joy Joy: The Ren & Stimpy Story is a documentary with two very different and almost contradictory goals. On the one hand, the film takes a mostly light-hearted look at the making-of a beloved animated series. But on the other hand, however, the doc is also a dark character study featuring the disturbing behaviours of Ren and Stimpy’s show creator, John Kricfalusi.
The first hurdle of any music-centric film is often the most difficult to clear: the music itself. It’s difficult to get the audience to root for the heroes if their band’s sound is cringe-inducing. Or, even worse, if it’s just plain boring.
Never Be Done: The Richard Glen Lett Story is a fantastic example of true documentary filmmaking.
The much awaited and presumably final instalment in the Bill & Ted series, Bill & Ted Face the Music, pulls off the impossible feat of being a faithful and charming sequel to cult classics. For that, the production should be very proud of their efforts and patience. However, the movie itself is neither “excellent” or “bogus”. It’s just, sort of, “chill”.
Lisa Langseth’s Euphoria, which premiered at TIFF three years ago, quietly yet poignantly explores the estranged relationship between two sisters amidst news that one of them is dying. Beautifully written and elegantly directed, Euphoria is as emotionally devastating as it is moving.
The title of Steve-O’s new comedy special Gnarly, as expected, describes the stunt work peppered throughout the show as he raises the bar on his own shock factor with squeamish spectacles. However, the special should almost be titled Mea Culpa considering his stand-up routine, while off-the-wall, is holding his past destructive behaviour in contempt.
For a film titled Enter the Fat Dragon, the film doesn’t stew in heavyweight humour or reminisce on kung-fu nostalgia. When it does, it’s brief and appropriately justified for the story. A breath of fresh air when compared to other comedies that cash in on references and obvious prosthetics.
Pretending I’m a Superman: The Tony Hawk Video Game Story may be a crash course on the popular gaming staple, but it’s also about the waffling relevancy of skateboarding – a journey through its cultural ebb and flow – during the sport’s ongoing search for innovation.