Reviews

Reviews

The Coolest Guy Movie Ever

By: Trevor Chartrand When a documentary filmmaker invests years of their life studying one subject, it goes without saying that this is a subject they have a lot of passion for.  However, the real trick is to take this topic – whatever it may be – and get an audience equally invested.  As much as the filmmaker may love the subject matter, the viewers need to care too.  This is where The Coolest Guy Movie…

Reviews

Breath

By: Graeme Howard Simon Baker’s directorial debut Breath (adapted from the international best seller by Tim Winton) is, at first glance, a by-the-numbers coming-of-age surfing tale.  However, the audience is treated to a thought-provoking surfing drama that succeeds in capturing the raw nature of the sport, while also exploring the spontaneity of youthfulness and the joyful exploration of curiosity, fear, and self-understanding.

Reviews

Maison du Bonheur

Toronto filmmaker Sofia Bohdanowicz travels to Paris, France to tentatively live with a colleague’s mother, Juliane Sellam, in the documentary Maison du Bonheur, a boring film that never lives up to its experimental ambition.

Reviews

Skate Kitchen

Crystal Moselle, who made a name for herself as a documentarian with the 2015 hit The Wolfpack, takes inspiration from Larry Clark’s career in her narrative feature debut Skate Kitchen.  It’s a seamless transition for Moselle who is experimenting (and subtlety infiltrating) with documentary aesthetics to tell a scripted story about a young woman who is trying to gain acceptance while searching for independence.

Reviews

Benched

Benched is a no-brainer recommendation for sports movie fans.  It’s charming, funny and, despite its rote concepts, the filmmakers put forth enough effort to give audiences something different.

Reviews

To All the Boys I’ve Loved Before

Netflix’s To All the Boys I’ve Loved Before is too slight and trivial even by teen movie standards, but I’m hoping it will make its young viewers talk to each other more.  So many misunderstandings and rumours in Sofia Alvarez’s stalled screenplay would’ve been squashed if people had stopped their worrying and had simple conversations with other characters.