When a film is described as “faith-based”, it seems to be a seal of fate for audiences who are ready to will it away if they don’t necessarily share the same beliefs. For filmmakers, it’s a tactic to deflect those same movie goers (and some critics) away from their work. But Overcomer, the latest film from Alex Kendrick (Fireproof, Courageous, War Room), could be a watershed for both sides.
By: Trevor Chartrand Canadian films have the unfortunate reputation for being ‘bad’ or ‘poorly produced,’ and as much as it hurts to admit, the generalization tends to be accurate. That’s certainly the case with the latest film from directors Marie-Hélène Cousineau and Michelle Derosierand. Angelique’s Isle tells the true story of a First Nations woman and her wilderness survival during the copper rush of the late 1800s.
By: Jolie Featherstone Ready or Not is a devilishly fun, macabre thriller that toys with the tumultuous nature of family and the blatantly unethical drive of the wealthy to maintain their status – with a dollop of blood thrown in for good measure.
By: Jessica Goddard In the delightful tradition of remaking films and gender swapping the leads – which no one is getting tired of at all – After the Wedding struggles to be convincing in its premise.
Spice It Up does something really special that I hope will translate to general audiences. It rips on practically everything that has to do with making a movie, including those brave enough to take on such a task. It even doubles down on its niche by teasing student filmmakers and the amateur qualities they have yet to grow out of. Spice It Up isn’t mean, but it’s self-aware enough to shoot off some well-meaning friendly…
Eddie Mensore’s environmental thriller Mine 9 is a succinct depiction of trapped coal miners in Appalachia. Coming at a time when the preservation of the coal mining industry is improbably and invariably debated, thanks to a political climate incapable of addressing an alternative to fossil fuels, Mine 9 satisfyingly addresses worker’s safety, while interrogating large corporations who allow fatal accidents like this to happen.
Marlon Wayans has gone soft, and it’s the best thing that could’ve happened for his film career.
By: Trevor Chartrand Danish filmmaker/journalist Mads Brügger hits an incredible home run with his latest intense and heartbreaking documentary, Cold Case Hammarskjöld. The film sets out to explore a fifty-year-old unsolved mystery, which is intriguing enough, only to end up unravelling a much larger, gut-churningly appalling conspiracy.
What do you do when you live in an age of renewed Trumpian nuclear anxiety and wish to express the doomed future of the youth therein? If you’re William Scoular, you make Survival Box, a film so navel-gazing in its execution that, by the end of its runtime, it can only be described as an answer to a question no one asked.
By: Jessica Goddard Scary Stories to Tell in the Dark is a halfway decent horror movie. However, those who grew up disconcertingly obsessed with the creepiness and morbidity of the anthologies this film is based on will be disappointed.