By: Nick van Dinther Unlocked spends a lot of time setting up the storyline for the rest of the film. The only problem is that by the time it’s done, you don’t really care much anymore.
Yorkshire farmer Johnny Saxby (Josh O’Connor) has a rough exterior that could be intimidating to others. He’s certainly aware of this power as he reflects his standoff attitude to anyone who criticizes him. But, Johnny is also a closeted gay man, distancing himself with personal conflict and confrontations. He acts on sexual desires with casual flings, but his romantic interests remain indifferent. That is, until he meets a migrant worker named Gheorghe (Alex Secareanu).
By: Trevor Chartrand Striking and unconventional, The Square successfully combines comedy with intense drama to create an unforgettable satirical gem.
By: Jessica Goddard A Bad Moms Christmas, the holiday sequel to last year’s Bad Moms from the same writer/director team (Jon Lucas, Scott Moore) is generally fun, when it’s not trying to force sentimentality. It wouldn’t be accurate to say this movie takes itself seriously, but its insistence on crossing over into sappiness and raunchiness when it runs out of comedy is lazy and unfortunate.
In this current political climate, Russian president Vladimir Putin – along with his government – has frequently been held suspect for unethical ideologies. On Putin’s Blacklist, a Canadian-produced documentary directed by Boris Ivanov, exposes more of these unorthodox decisions while also linking these rippling effects to possible ideas of Putin’s personality.
Most documentaries about legendary people are unsurprisingly structured since the subject’s history and reputation steer the film through its motions. Take Every Wave: The Life of Laird Hamilton is no different, but I do admire how the film paces the impressive life of the surfer/entrepreneur/game changer.
By: Jessica Goddard Frederick Wiseman’s Ex Libris: The New York Public Library is a slow and detailed documentary about the vast institution of the New York Public Library (not to be confused with its famous headquarters in Midtown Manhattan). The film focuses on the NYPL’s many branches and services and functions, offering long samples of footage of what goes on from day-to-day in different branches, ranging from the micro to the macro. Famous speakers and…
The tagline for The Limehouse Golem boasts that its fictional Victorian London serial killer precedes the infamous Jack the Ripper. We have yet to see a compelling cinematic take on the Ripper murders (including the Hughes Brothers’ tragically underwhelming Johnny Depp vehicle From Hell). Though it merely draws inspiration from the Ripper, The Limehouse Golem suggests that we may have to wait a bit longer.
By: Jessica Goddard From the title to the opening scene to the whole conflict at its core, Goodbye Christopher Robin is a movie determined to make you rethink the context in which A.A. Milne (Domhnall Gleeson) wrote the beloved Winnie the Pooh stories (then Winnie-the-Pooh). There’s nothing wrong, in theory, with a biopic about A. A. Milne, but why this movie chooses to focus on A. A. Milne being a bad father who apparently ruined his…
By: Jessica Goddard Mark Felt – The Man Who Brought Down the White House will work for those already familiar with the Watergate scandal of the 1970s, but Peter Landesman’s film will be less interesting to audiences not well-versed in political history. The screenplay doesn’t offer much exposition and relies on the smarts of its audience to keep up and understand.