Though it may be a schlocky action movie, I don’t have distain towards 211. Mostly because there’s something oddly endearing about a low-rent flick that doesn’t let up on its action sequences.
Filmmakers Cristina Gallego and Ciro Guerra follow-up their Oscar nominated feature film Embrace of the Serpent with Birds of Passage, a sprawling drama about Columbian drug cartels. The story’s primary focus is Raphayet (José Acosta), an average bachelor who becomes involved with drug trafficking, gradually becoming a notorious name in the dangerous culture.
Comedienne Amy Schumer is at her best when she’s in unfamiliar waters and vocalizing about it. By being incredibly observant and quick-witted, she forms a unique and bold perspective that humorously addresses relatable hesitation. This transferable approach is why her film roles have worked for me as well (Trainwreck, Snatched, I Feel Pretty).
The selling point of For Love or Money is the outrageous premise that’s established well in the trailer. It offers a familiar dynamic, but is so suggestive towards the film’s comedic potential that viewers are naturally reeled in. If you enjoyed How to Lose a Guy in 10 Days or What Happens in Vegas, here’s a movie for you.
Benedikt Erlingsson must be a gambling man. With his new film Woman at War, he pushes the limit on imagination; crossing the narrative with elements of a thriller and a deadpan comedy. But like a gambler with no self-control, Erlingsson overestimates his luck; spinning the film’s results into a somewhat smug affair.
The work I’ve seen from French-Canadian filmmaker Denis Côté all involve the subject of lost souls. Carcasses was a pseudo-doc about a lonely scrapyard owner who is suddenly interrupted by a gang of wanderers, and Curling followed the faded relationship between a father and his daughter in the wake of a tragedy.
By: Trevor Chartrand A surprising and VERY unique take on the buddy-comedy, To Dust is a thoughtful and inspired look at grief – with plenty of well-timed comedic wit. It’s a premise we’ve all heard before, with two unlikely companions teaming up to reach a common goal, however the approach and style this film takes is a brand entirely its own.
Peter Farrelly’s Oscar-winning film Green Book has proven to be a divisive film for audiences, which is strange considering it fits the bill to be a general crowd-pleaser.
At the End of the Day comes from a good place, but its execution is rough.
Finding Hygge explores the Danish concept of hygge, which a quick Google search tells me has to do with comfort, wellness, and happiness. I was forced to Google, because at no point in this ninety-minute long documentary is the concept distilled or defined in a coherent manner.