Netflix is a juggernaut of content, and they’re still breaking the mould. Just take Daryl Hannah’s Paradox, for instance. Who could’ve guessed the streaming service could turn your living room into a snooty arthouse theatre? That’s a flippant comment but, boy, is Paradox excruciatingly smug. How do you rate or review this movie? Is this even a movie?
I Can Only Imagine is, more or less, about the act of forgiveness. And just like that personal journey, this movie starts out tough before it starts feeling better for everyone.
Despite a cast that boasts the talents of Toni Collette (The Sixth Sense, Little Miss Sunshine), Harvey Keitel (The Grand Budapest Hotel, Bugsy, Pulp Fiction), Tom Hughes (Cemetery Junction), and Rossy de Palma (Julieta, Kika), Madame is a flat and charmless romantic comedy.
By: Trevor Chartrand Director Wes Anderson is at it again with another quirky stop-motion animated feature, his second foray into the genre since 2009’s The Fantastic Mr. Fox. In Isle of Dogs, Anderson’s gone above and beyond to create a clever, stylized, and memorable motion picture.
Henry Winkler has a full resume, but he’ll always be known as The Fonz. His son, television director Max Winkler, will surely continue having a fruitful career as a filmmaker after releasing his sophomore effort Flower, an audacious flick for which he’ll be remembered for.
Last year’s Kedi, one of the best films of the year, showed us just how much potential there is in cat documentaries. This year, CBC Docs attempted to follow that nascent tradition in Canada with Catwalk: Tales from the Catshow Circuit, a study of people and their pets who participate in such performances. And, yes, there’s a healthy dose of cute cat action.
By: Jessica Goddard Paolo Virzì’s geriatric road trip flick wastes the legendary talents of Donald Sutherland and Helen Mirren on some of the most unfortunate forced sentimentality and rushed melodrama I’ve seen in years. Despite a promising premise, this adaption of Michael Zadoorian’s novel of the same name is more often cringeworthy than sincere.
The foxtrot, as you may know, is a dance – the movie reminds us of that. The first position is the same as the last, which the film (of the same name) uses as a metaphorical device to encompass the fate of the characters we see on screen.
Across the past couple decades, Armando Iannucci has repeatedly shown himself to be one of the most important voices working in comedy. Whether we are discussing his hand in the creation of Alan Partridge or his blatantly political work in The Thick of It and Veep, Iannucci has shown that he has his hand on the comedic pulse of whatever age he may be in. Now, he’s decided to take on a new experiment: a…
One thing that tends to endear viewers to a film is something that has been described as a “personal” style of filmmaking. When the director finds something that they have a deep personal connection with and they present it to us in an authentic, unpretentious way, that is usually something to be commended. Unfortunately, it is also possible to become too personal, giving up certain aesthetic qualities in favour of familiarity. When that happens, the…