By: Jessica Goddard Mid90s is a coming-of-age period piece, chronicling how a mild 13-year-old boy finds acceptance and belonging with a reckless crowd of skateboarders. Our pint-sized protagonist, Stevie (Sunny Suljic), perfectly captures the in-the-middleness suggested by the title – we can’t help but see a child when he’s next to his older (taller) friends, but the mischief he gets up to makes him feel much more adult than we’re comfortable with.
By: Trevor Chartrand On the internet, rumors and stories spread wildly, and most people are logical and cautious enough to question everything they read online. Folks often dismiss fantastical, source-less narratives because, come on, that never could have happened, right? Well, maybe not. A new documentary titled The Bill Murray Stories: Life Lessons Learned from a Mythical Man examines one of these online rumors and proves that there’s some validity here – so maybe we…
An Hour to Kill is a horror-comedy anthology from director Aaron K. Carter, a filmmaker who impressed me with his previous feature Dead Kansas. Dead Kansas was a low-budget zombie flick that would’ve blended into the genre if it wasn’t for Carter’s resourceful qualities as a filmmaker. Whenever directors start to blame a strapped budget or a low-end production for their movie’s flaws, I dig up Dead Kansas as my argument to debunk that claim.
Directed by Tom Volf, Maria by Callas examines the life and art of one of the twentieth century’s greatest opera singers, Maria Callas. Through archival footage of Callas on stage, her personal correspondence to friends, and interviews with the singer recorder at various points throughout her career, the film attempts to show the personal, intimate side of a woman that was the subject of much media attention during her lifetime.
By: Trevor Chartrand Apatow-comedy veteran Jonah Hill has diversified his career path considerably in recent years, taking on darker and more intense roles. Now he’s taken another step into new territory, this time helming a film from behind the camera: Mid90s is Hill’s directorial debut, and it’s chock-full of surprises.
Alopecia, an autoimmune condition that causes hair loss of different degrees, is an issue that forces those living with it to be in a constant state of awareness; having to find their own individual way to address it. This self-conscious struggle of those personally effected is the topic at bay in Foxy, a concern that was also hindering co-director/co-writer/star Trista Suke before making this thesis project with co-director/co-writer Ellis Poleyko.
I generally have a problem with documentarians who assume too much from their audience before their movie even begins. The purpose of most documentaries is to pitch ideas to viewers and then supply supported arguments – gradually warming over movie goers. A documentary like this one, Restoring Tomorrow, immediately expects viewers to be just as – if not more – attached to the subject manner than the doc’s own filmmaker, Aaron Wolf.
Overlord (DIR. Julius Avery) American soldiers are dropped into German-occupied France and need to prepare for the D-Day invasion, but they find that the Germans are involved in some messed-up stuff.
Jude S. Walko makes his directorial feature debut with the haunted castle horror flick The Incantation, which falls short in providing the scares.
The Hollow Child is a feature film debut for screenwriter Ben Rollo and director Jeremy Lutter, and it’s an efficient entry-level vehicle for both of them even if this horror feels like a retread.