The Transfiguration has an extraordinary premise. Judging by the way it’s carried out though, writer/director Michael O’Shea doesn’t realize just how special it is.
News of an upcoming feature from filmmaker Patrick Read Johnson (who had previously directed mid-90’s comedies Baby’s Day Out and Angus) lit up the Internet in the mid-2000s with a fantastic trailer set to music by ELO and Jon Brion. The trailer, centred around an awkward teenager in the 1970s anticipating a unique blockbuster called Star Wars, dropped when I was in high school and working at a video store. However, the film went silent…
Life can fluctuate, and I believe that’s the point Win It All is trying to make. Then again, filmmaker Joe Swanberg may have just set out to make a straightforward character study, in which case that works too.
While I’m completely aware that Alone in Berlin is based on a true story, I’m afraid Vincent Perez’s big-screen adaptation is thin and tedious. There’s not enough here for the director/co-writer to flesh out, and likewise for the talented leading cast (Brendan Gleeson, Emma Thompson, Daniel Brühl).
A racially-diverse group of children cause havoc until a teacher comes along and sets them straight. No, this isn’t about Stand and Deliver or Dangerous Minds. This is about Urban Hymn, yet another film which takes the familiar plotline and runs nowhere with it.
If documentaries were solely graded on how much they teach, then Charles Wilkinson’s Vancouver: No Fixed Address would get full marks.
By: Jessica Goddard A movie packed with subtlety and nuance, Kelly Reichardt’s Certain Women both wrenches the heart and flexes one’s critical capacities. Do we have sympathy for this character because we authentically suspect they’re a good person in spite of their actions, or do we desperately want them to be a good person because we feel so deeply sorry for them?
There’s nothing more easygoing than a road movie with good music and likeable leads. In a nutshell, that’s Folk Hero & Funny Guy, a comedy starring Alex Karpovsky (The Foxy Merkins, HBO’s Girls) and Wyatt Russell (Goon: Last of the Enforcers) as best friends who tour working class cities, exhibiting their passions.
Movie goers waiting for a biopic to blow their socks off shouldn’t rely on Tommy’s Honour, a drama that seems to fulfil its non-fiction requirements procedurally. Tommy’s Honour would be par for the course (ba-dum-tss) if it wasn’t so underwhelming.
Hounds of Love, the latest horror export from Australia, is unpleasant to a fault.