By: Jessica Goddard At the Marriage Story screening I attended, a complimentary packet of tissues was waiting in the cup holder of each seat in the theatre. Quite the statement. So when the movie opens with both leading characters reading the lists of things they like about one another in front of a mediator, you know this will be a wrenching watch.
Fans of Keanu Reeves may want to tune into The Divine Fury. After all, this South Korean horror-thriller feels inspired by John Wick’s fight choreography and Constantine’s freaky gothic imagery.
My recommendation of Trixie Mattel: Moving Parts comes with a bit of a bias.
By: Jessica Goddard Margaret Atwood is fairly low-hanging fruit as far as documentary subjects go. At the moment, it’s almost certain she’s Canada’s most recognized, beloved author, and her latest novel, The Testaments, came out in September and is a sequel to her best-known work, The Handmaid’s Tale.
The Farewell is a universally identifiable gem of a family dramedy.
Frankie is like a postcard – the picture is beautiful, but it hardly has any substance attached to it.
By: Jessica Goddard Full disclosure: I am bad at watching war movies. I watch war movies out of some (likely misdirected) sense of duty – if actual human beings lived these horrors, I should be able to stomach cinematic recreations of them, is my thinking. But, I find it very hard to watch people die (which I’ve chosen to attribute to a smug overabundance of empathy) even if it’s only a performance. For this reason,…
The best thing about Hobbs & Shaw, the first feature-length spin-off in the Fast & Furious series, is that anyone can watch it. It does a good job standing on its own legs and distancing itself from its popular franchise; allowing everyone to pick up on the same page. But perhaps in an attempt to give its spin-off series a safe start, Hobbs & Shaw is as typical as action movies come – Hollywood buys…
Patricia Marcoccia’s documentary The Rise of Jordan Peterson chronicles just *that*: the increased interest around the University of Toronto psychology professor, leading to his worldwide notoriety and success of his best-seller 12 Rules For Life. But while the movie does a good job bringing uninformed viewers up to speed on the popularity and controversy of Peterson, it doesn’t add much else to the conversation. The movie is just, kind of, “there”.
The melodic title of Robin Hays’ Anthem of a Teenage Prophet suggests, at the very least, a kind of experimental approach to tragedy and trauma. Instead, this adaptation of Joanne Proulx’s award-winning novel Anthem of a Reluctant Prophet is surprisingly familiar; replete with the traditional rebellious drug-fueled angst we’ve come to expect from cinematic representations of teenage life in the suburbs.