Unlucky Stars
Unlucky Stars is exactly the movie you expect from filmmakers with backgrounds in stunt work.
Unlucky Stars is exactly the movie you expect from filmmakers with backgrounds in stunt work.
Young Nathan (Asa Butterfield) has issues interacting with people. Diagnosed as on the autistic spectrum (with a little bit of synesthesia), Nathan much prefers patterns and numbers – making him a wiz at mathematics. He shared a special connection with his father, but after dad perished in a vehicular collision, Nathan withdrew even further, and burrowed deeper into mathematics. His mother (Sally Hawkins), unable to connect with her son, signed him up for personal advanced…
The sad state of the parody film is reflected in Fifty Shades of Black, the latest from A Haunted House director Michael Tiddes and Scary Movie alumnus Marlon Wayans. A spoof of the Fifty Shades of Grey film released last year, Fifty Shades of Black relies mostly on an inventory of aged pop culture references and unfunny scatological humour rather than interrogating the problems with its source material.
Late last year, Canadian indie Toronah snuck into a single theatre in the titled city. The film piqued my curiosity, and I did some more research. I ended up missing out on the film, but I began a dialogue with the film’s director Rick Smiciklas. When I mentioned that I was interested in reviewing his film, Smiciklas suggested that a reality show titled Wingmen would act as a good introduction to Toronah since key players crossover.
Most of what Yoav and Doron Paz offer movie goers in their horror film JeruZalem feels re-gifted. We’ve seen this sort of panicked science fiction in films before – from tent-pole thrillers like Cloverfield to foreign imports like [REC]. While that may sound like the “jaded critic” side transforming me as one of the film’s demons would, I feel like I have a legitimate argument.
The Orange Man is voluntarily uneven. After presenting itself as slasher horror, the film has a change of heart and decides to be a break-up comedy for bros, and then flip-flops some more. It’s a shame since the slasher bits are the most fun.
Dirty Grandpa wasn’t a film that I expected to enjoy as much as I did. The casting of the two leads had me doubtful.
I’m compelled to call the Romanian drama One Floor Below a “one man show” since it features a solitary character (Sandu played by Teodor Corban) dealing with a possible murder he heard from outside an apartment, and how he handles confrontation with the alleged suspect. The camera is focused on him, and Corban does follow through with his end of the deal – he’s very believable.
There are ultimately two extremes within the canon of horror cinema: those films which are focused on artistry and only use the set pieces of horror to create atmosphere, and those films which are focused on being scary without much artistic flair. Christian Hallman’s Sensoria manages to bring these two extremes together by being neither artistic nor scary, resulting in something that just seems to exist for about an hour and twenty minutes. I considered using…
Eco-friendly independent documentaries are sometimes a hard sell to the general moviegoing public. Unless you have pre-invested interest in the subject matter (in this case, fracking) or the film’s guiding hand (in this case, indigenous activist Caleb Behn), these movies can come across as droning strolls through textbooks of material. It’s a shame since so many of these films are thoughtful and important.