With only two features under their belt, married filmmakers Dane Clark and Linsey Stewart have demonstrated that a story can be singlehandedly developed on a unique and personal dynamic between two characters. While their debut indie I Put A Hit On You may have fizzled after liftoff, their sophomore effort Suze shows growth in all the right areas; resulting in an absolute crowd-pleasing charmer.
Anonymous blogging activist-turn-New York Times best selling author Aubrey Gordon is a joy to listen to. Her opinions regarding her size, as well as the personal experiences that have tangentially spawned because of her weight, have led to outlets allowing Gordon to discuss being fat. Her career path has also opened opportunities to educate others about various biases and complexities that come from inconsiderate assumptions and soured good intentions.
Land of Bad may look and sound like your average combat action flick, but it’s actually much more thrilling and intricate than that surface assumption.
With The Peasants, filmmakers DK Welchman and Hugh Welchman return to a similar animation style that previously earned them an Academy Award nomination for 2017’s Loving Vincent. Loving Vincent was a tribute to artist Vincent van Gogh, both in spirit and in visual flare. The Peasants adapts Wladyslaw Reymont’s novel of the same name, and channels the artistry of various painters from the 19th and 20th century. While I can’t confidently comment on how faithful…
The Promised Land presents itself as an epic period drama about a former soldier, Captain Ludvig Kahlen (Mads Mikkelsen of Casino Royale and Another Round), dedicating his remaining lifetime to mend a troubled Danish heath and build a settlement. The challenges he faces include the environmental barrenness of the land, outsiders who doubt Kahlen’s ambitions, and the breaching interruptions by selfish and wealthy Frederik de Schinkel (Simon Bennebjerg).
Some Other Woman doesn’t tell us much about its psychological thriller of suspicion and distrust, but the audience believes they’re witnessing a ritual.
Suncoast has such sunny appeal for a movie about death. Maybe it’s the Floridian setting, maybe it’s because this dramedy skims the surface of its morose material. A case could also be made that Laura Chinn’s filmmaking debut is supposed to mirror the disconnected feelings of the story’s lead character, Doris.
How to Have Sex is either a cautionary tale or a party movie with a heart or, maybe, it’s both.
The comic insanity and absurdity of Hundreds of Beavers suggests that Mike Cheslik and Ryland Brickson Cole Tews, who last collaborated together on Lake Michigan Monster, are brimming with glee when making movies. With Cheslik directing, Tews starring, and both taking on writing duties, Hundreds of Beavers is a bonafide bonanza of hilarity that perfectly displays the comedic stylings of this trailblazing duo.
Netflix’s animated Orion and the Dark may not be the streamer’s most memorable family film, and it isn’t one of the strongest adaptations of a children’s book, but its imagination can’t be ignored.