Knight of Cups
Even long-time fans of Terrence Malick’s particular style of experimental filmmaking might find his latest effort Knight of Cups verging toward self-indulgence.
Even long-time fans of Terrence Malick’s particular style of experimental filmmaking might find his latest effort Knight of Cups verging toward self-indulgence.
Ironically, Happily Ever After bothers movie goers by the time the credits roll.
The Divergent film series – based on the Young Adult trilogy by Veronica Roth – immediately felt like a cash-in on the success of The Hunger Games film franchise. Divergent is painful in its complexity: set in a typical YA post-apocalyptic future, Tris (Shailene Woodley) must navigate the walled city of Chicago, where factions are systemized by certain characteristics – Erudite is made up of the intelligentsia, Dauntless are warriors, etc. Initiates take a test…
At times, it feels like the filmmakers behind Coconut Hero had a genre grocery list handy and were checking off various requirements for their film. A lovable misfit from a small town? Check. Well-meaning parents who are frustrated with their incomprehensible social-outcast offspring? Check.
Religious views may vary, but everyone could agree on how boring The Young Messiah is. The film walks and talks, talks and walks, and occasionally stops for characters to exchange exposition or inspiration. The Young Messiah made me restless in ways few movies have.
Spiritualists may find Apichatpong Weerasethakul’s latest film speaking directly to them. At the very least, they’ll feel enticed by some of the pulsating ideas in Cemetery of Splendour.
A little girl (Mackenzie Foy) is strictly structured by her all-business, all the time mom (Rachel McAdams). It’s summer time, and instead of playing she is to spend her days studying so she can impress her authorities at her oveestigious academy school, so she can get into a prestigious high school, so she can get into a prestigious university, so she can spend her adult life working hard and forcing her children to do the…
Filmmaking is certainly an important form of self-expression, but not all films are created equal; sometimes a film comes out that serves no purpose, makes no impact and leaves no impression. Gerard Barrett’s Glassland is a perfect example of such a film. His film completely lacks any purpose other than to be a series of images giving an illusion of motion on a screen. Glassland never rises above a TV-movie-of-the-week, and its attempts at slow and…
Ethan Hawke (Before Sunrise, Boyhood) stars as east-coast jazz legend Chet Baker in Robert Budreau’s biographical drama Born to Be Blue, which focuses on the musician’s comeback during the 1960s and his struggle with addiction. The film, which was written, directed and produced by Budreau, chooses to examine a specific period of Baker’s career rather than the entirety of his career – a decision that results in a more intimate experience than one might expect…
I feel like a meanie for disliking Bryn Evans’ sweet doc Hip Hop-eration, but alas, the film is a missed opportunity and about as deep as a viral video.