The strengths in Streamer are very subtle and camouflaged by deliberate monotony.
Inspiration may be Jason Armstrong’s first feature-length movie in seven years, but he’s been a consistent storyteller. Just this Summer, Armstrong (along with frequent collaborator Mike Klassen) made 9 Days with Cambria, a moderately successful web series confronting abuse through short stories performed by different actresses portraying the same character.
Engineers (DIR. Tyler Williams) In a worn-down warehouse, three individuals tempt an experiment on a corpse. The result may be not exactly what they intended.
Holy Hell is the latest exercise in “grindhouse appreciation” or “exploitation homage” from a close-knit production crew who undoubtably had fun making an insane, politically incorrect vigilante yarn. The audience, unfortunately, won’t be feeling that same heedless joy.
A murderer whose calling card is a scratched-down horror story; a couple goes trick or treating and it quickly gets out of hand; a family brings home a witch to burn at the stake; a group of gutter punks find an easier way to come by food; a pair of police officers have a shady side business.
Capture Kill Release begins in the middle of a devious plot: young lovers Jenn and Farhang (played by Jennifer Fraser and Farhang Ghajar) are toying with the idea of murdering a random person. Their intentions and motives are deliberately foggy, which makes the film’s fly-on-the-wall experience more unsettling, disturbing, and impossible to look away – this is not for the faint of heart.
Have you ever felt like just watching a film wasn’t enough? For movie lovers desiring to get a bit more out of a night at the cinema, The Movie Experience is an immersive film event presented by The Secret Sessions designed to bring audiences into their favorite cult classic films. Though the first event of its kind hosted by this organization, similar fusions of film and theatre having been popping up in the Toronto social…
Siobhan Devine’s The Birdwatcher is a bad movie, but it made me reflect on how spoiled Canadian audiences really are.
In the wake of the terrorism committed on the United States of America on 9/11, patriotism crossed into dark vigilanteism for some scared Americans – Mark Stroman was one of those people.
While Jean of the Joneses may be predictable, the film is the work of an exciting new voice in cinema. Writer/director Stella Meghie truly knows how to write fully developed, sympathetic characters; it’s an absolute pleasure to spend 82-minutes with her creations.