By: Addison Wylie Much like After Earth, this review is going to be a bit of a confounding thing to endure since the substance behind it is puzzled itself. Will Smith seems like a levelheaded guy outside of movies. I’m sure there was concise logic behind his story to which he’s credited for in After Earth. If so, there’s been a severe case of “Broken Telephone” during the film’s production that eventually led to M….
By: Addison Wylie After Anchorman: The Legend of Ron Burgundy’s slow success, a sequel has been in high demand from its cult community. What that crowd – as well as the film’s cast and crew – didn’t realize is that capturing that same lightning in a bottle is easier said than done. Director/co-writer Adam McKay returns with the film’s original Channel 4 news team (Paul Rudd, David Koechner, Steve Carell, with Will Ferrell leading the…
The WordPress.com stats are in for 2013! Here’s an excerpt: The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 19,000 times in 2013. If it were a concert at Sydney Opera House, it would take about 7 sold-out performances for that many people to see it. Click here to see the complete report. Thanks so much to my readers and vlog watchers for all the support. Here’s to…
By: Addison Wylie Drafthouse Films has taken Giulio Paradisi’s director’s cut to his very strange 1979 sci-fi flick The Visitor and are unleashing it to the public in a newly remastered mode. There are a lot of uncanny compositions of malificent behaviour that especially punch out. These set a tone incredibly fast and have the power to make you immediately feel at unease. Confusion runs rampant throughout The Visitor, and for the most part, it’s…
By: Addison Wylie Here’s an interesting proposal. Take the producers behind romantic hits such as Love Actually and Bridget Jones’ Diary and apply their genre knowledge in a direction that turns romantic comedies on their ear. Then, bring in Dan Mazer to write and direct the sweet and salty hybrid. Mazer has plenty of experience shocking audiences with filthy jokes. His résumé consists of behind-the-scenes work on Da Ali G Show as well as lending his penmanship…
By: Addison Wylie Disney has shown again and again that they rise to the occasion with fairy tales. Their fantasies featuring sparkling animation and lively characters always bring out the bliss in audiences and the bacon at the box office. Frozen is no different. It’s charmed movie goers far and wide with its strong female personalities and fetching tunes. Frozen also serves as being one of the only current family films that has stabilized sturdy…
By: Addison Wylie Across the pond, Good Vibrations has been considered a crowd pleaser. During its release earlier this year, its swept audiences off their feet with vivacious music and a profound true story about Terri Hooley’s struggle with individuality in 1970’s Belfast and acquiring peace through music. This holiday season, Toronto gets the opportunity to see this highly regarded movie. Well, call me a Grinch because Good Vibrations didn’t do it for me. I…
By: Addison Wylie Upon watching JOBS for the first time, I had a hunch that it wasn’t going to be received with a wide round of applause. The film about the life and times of Apple’s Steve Jobs didn’t sugarcoat its subject, but the overall product took the form of a typical biopic. I believe movie goers were still riding off the hot licks of the award winning David Fincher film The Social Network. I…
By: Addison Wylie Nicky’s Family is an elementarily formatted documentary using a cluster of different stock footage from the 1930’s, with interviews helping navigate the viewer through a touching real life tale. It’s a structure that’s very simple and we’ve all seen it before. The documentary also appears to have been shot on substandard video, which leads to a dated image that’s generally murky with visible blemishes. Furthermore, the overall feeling of Nicky’s Family is…
By: Addison Wylie Berberian Sound Studio didn’t frighten me. It didn’t creep, weird, or freak me out either. I didn’t get any sort of shivers out of the experience nor did I get any heebies or jeebies. If Peter Strickland’s film is anything, it’s mildly unsettling. It smartly pleads the case that our imaginations can provide strokes of detail if a film supplies the foundation for which our thoughts are built on. It’s absolutely true…