By: Jeff Ching Wes Anderson is one of very few current directors where viewers can watch 10 seconds of a trailer promoting his film, and immediately identify it as “a Wes Anderson movie”. I don’t know whether that’s a good or bad thing, but credit to him for such a distinctive style. He may be the most “auteuristic” auteur ever, if that makes any sense. Does it? I don’t know. Moving on…
By: Jolie Featherstone Wes Anderson’s latest feature is a dazzling ode to the joys of the printed word and the spirit of the American wanderer.
We’re halfway through the year, which means it’s time for Wylie Writes’ recap of the best and the worst films of 2018. Don’t forget to click the coloured titles to read a more detailed write-up about the film!
By: Jessica Goddard A loving tribute to man’s best friend, Wes Anderson’s Isle of Dogs is an imaginative, playful, and visually fascinating stop-motion fable that should appeal to animal lovers of every kind. Endlessly clever and unapologetically fun, this movie keeps you guessing and isn’t afraid to misdirect for the sake of a good twist.
By: Trevor Chartrand Director Wes Anderson is at it again with another quirky stop-motion animated feature, his second foray into the genre since 2009’s The Fantastic Mr. Fox. In Isle of Dogs, Anderson’s gone above and beyond to create a clever, stylized, and memorable motion picture.
By: Addison Wylie Audiences can witness Wes Anderson going through filmmaking periods. We’re not exactly sure what’s triggering these changes of pace, but those willing to follow the whimsical auteur don’t regret the trip. As of late, Anderson has been wearing his French influences on his sleeve – or, rather across his forehead. He made the transition with The Fantastic Mr. Fox and then went full-tilt Français with his highly acclaimed Moonrise Kingdom; nodding towards…