Wildcat is an assuredly-made drama from director Ethan Hawke (Blaze) and his sensational star Maya Hawke (Do Revenge, Asteroid City). The unconventional period biopic marks the first feature-length father-and-daughter collaboration between the Hawkes, and audiences will surely hope it isn’t the last.
Director F. Gary Gray calls back to his days as an acton-thriller filmmaker with Lift, a heist movie that aspires to be an airborne version of Gray’s remake of The Italian Job. However, that former influence was an entertaining and accessible thrill ride with enough charisma to boot. Lift , the complete opposite, is an expensive-looking, self-serious knockoff; hampered by a convoluted plot and absent camaraderie among the cast. The only thing this empty-headed flick…
Dumb Money is supposed to educate viewers on how the stock market was overturned by amateur buyers who invested in the video store retailer GameStop, causing a disruption felt by Wall Street. The film is informative, though viewers are still required to know the basics of stock market culture before buying a ticket. However, what I find more interesting than the biographical intentions of Dumb Money is that director Craig Gillespie (I, Tonya) has made…
I liked The Eyes of Tammy Faye, but I loved the dynamic and on-screen chemistry between actors Jessica Chastain and Andrew Garfield. As infamous televangelists Tammy Faye Bakker and Jim Bakker, Chastain and Garfield are excellent and shine through their make-up and prosthetics with believable performances and vibrant personalities. We’re constantly having to remind ourselves that we’re watching a contemporary film; not the 2000-era documentary of the same name that serves as source material.
From my experience, audiences usually like when a movie shifts into high gear right off the hop; especially if it’s an action movie. The Kid does just that. Using a pair of young fugitives as a vessel for the audience, the film essentially starts in the middle of a power struggle between Pat Garrett (Ethan Hawke) and Billy ‘The Kid’ Bonney (Dane DeHaan).
By: Nick van Dinther Bruce Willis is at his best when he’s playing the sarcastic, one-lining ass kicker. In Eli Roth’s Death Wish, that’s exactly who audiences get.
By: Addison Wylie I don’t know a heck of a lot about Linkin Park turntablist Joseph Hahn. His feature film debut Mall could provide some insight; although I hope I’m mistaken. Hahn could’ve been that someone who grew up resenting authority. His teenage peers could’ve been burn outs and pot heads who had no aspirations. Meanwhile, his own observations bloomed into cynical opinions about the culture around him. To him, he might’ve been the smartest…