By: Trevor Chartrand Director Gille Klabin hits a surprising home run with The Wave, a fast-paced, drug-fueled, comedy/thriller with an unexpectedly cathartic conclusion. It’s a film rich in tone and atmosphere, similar to the time-slipping (500) Days of Summer or even Tim Burton’s whimsical Big Fish. The movie is set in an enriched, highly-detailed world that would require multiple viewings to discover each layer of creative foreshadowing, and each hidden easter egg.
I like Crackerhead, but this latest experimental experience from filmmaker Mike Klassen is making me sweat – it’s a tough movie to review if you can’t crack through Klassen’s poker face. The film’s flippant facade has anarchy written all over it, but the drive behind Klassen’s directorial decisions and stylistic storytelling suggests a deeper, poignant project.
By: Addison Wylie Nickelodeon’s absurdist behaviour and its brand of transgressive humour have driven some parents crazy. However, it’s a unique knack that has struck hilarity with viewers who were considered Generation Y, or 90’s kids. Nick’s bizarre reality is what gave many of their television shows their edge, and most programming were not willing to push the absurdist envelope as far as Nickelodeon would. The station has cooled its jets as of recent with…
By: Addison Wylie A Field in England is a shock to the system. However, the film’s fine print entails a different definition of that phrase to movie goers. I certainly am not using that description to be complimentary. Some are going to find Ben Wheatley’s trippy drama an enigmatic experience that has them coming back for more. It’s a film that seems as if its been tailor-made for the patient arthouse crowd. Others – like…