“Tacky” and “hacky”. Those are the first words that spring to mind when describing The Underdoggs, an R-rated, pee-wee sports comedy from director Charles Stone III (Mr. 3000, Uncle Drew), and starring rapper Snoop Dogg. “Tacky” because the humour derives from the stale gag of having adults swearing around, or at, kids. “Hacky” because Snoop should feel guilty for aiming at such low-hanging comedic fruit.
By: Trevor Chartrand Everyone’s favorite spooky family is back in The Addams Family 2, the sequel to 2019’s animated stinker featuring a re-imaged version of the classic Addams family characters. This go-round is, surprisingly, a slight improvement on the first installment (which isn’t saying much), but ultimately both titles in this series so far feel like ‘babysitter’ movies – stuffed full of filler and thin on the narrative front. It’s something parents can plop their kids…
By: Trevor Chartrand The beloved and monstrous Addams Family returns to cinemas this Halloween; animated for the first time ever on the big screen, and directed by the duo who brought adults Sausage Party. This new film focuses on a real estate mogul trying to drive monsters out of town (à la Shrek), Pugsley Addams’ bar mitzvah, Wednesday Addams’ teenage rebellion, Lurch endlessly playing pop songs on a piano, and a never-ending slurry of other superfluous subplots…
A bunch of different ideas coexist in The Beach Bum, but they never truly come together.
By: Trevor Chartrand In his feature film follow-up to 2013’s Spring Breakers, director Harmony Korine delivers a similarly raunchy, yet dark comedy with this year’s The Beach Bum. Much like Spring Breakers, this latest undertaking by Korine is bound to receive a mixed reaction from most moviegoers.
For as rambunctious as Future World is, it’s awfully dull. This disappointing joint effort comes from directors Bruce Thierry Cheung and James Franco, although considering how successful Franco has been as a director, I wonder if he was hired to guide Cheung. Nonetheless, both filmmakers fail at establishing this tattered reality, which falls somewhere between a hellscape and a subsisting rebirth. The survivors also seem to be an uneven mix of copied characters from other movies.