By: Trevor Chartrand Doors is an anthology-style sci-fi film from the producers of V/H/S, featuring four short stories all set in the same universe. Each story or segment is helmed by its own filmmaker, giving us a variety of perspectives and approaches to one shared idea. Without a doubt, the film is an interesting experiment and a great way to showcase the uniqueness of the creative mind. Given the same premise, each filmmaker turns in a…
Written by Justin Benson and directed by Benson and Aaron Moorhead, Synchronic is the filmmakers’ follow-up to 2017’s The Endless and boasts the same brand of trippy, time-travelling science fiction.
By: Trevor Chartrand I am sad to share the unfortunate fact that Jiu Jitsu is, quite frankly, an awful movie…conclusively, undeniably disappointing all around. Even with low expectations for an absurd martial arts B-Movie, this film is still going to be a big let-down for viewers.
György Pálfi’s His Master’s Voice is a thoroughly confusing, questionably plotted sci-fi film that is hindered by a myriad of subplots, vague ideas, and an ultimately unsuccessful attempt to combine traditional fictional filmmaking practices with mock-documentary elements.
Movie goers who are quick to nitpick cellphone tropes in horror movies should have a ball with Save Yourselves!, a sharp sci-fi comedy about aging millennials for aging millennials.
Possessor Uncut is a surprisingly undercooked psychological horror from Brandon Cronenberg. It’s filled with provocative qualities, but they’ve been assembled in a way that doesn’t come together and, instead, work as standalone strengths.
Benjamin Ross Hayden’s futuristic sci-fi Parallel Minds begins with the invention of Red Eye 2, an improved ocular device that allows you to relive precious memories and record new ones. As the launch approaches, Red Eye researcher Margo (Tommie-Amber Pirie) works closely with the product’s head developer. In a shocking turn, the developer turns up dead; prompting a withered detective, Thomas (Greg Bryk), to look for answers behind the alleged murder. Margo assists him because,…
The much awaited and presumably final instalment in the Bill & Ted series, Bill & Ted Face the Music, pulls off the impossible feat of being a faithful and charming sequel to cult classics. For that, the production should be very proud of their efforts and patience. However, the movie itself is neither “excellent” or “bogus”. It’s just, sort of, “chill”.
The title She Dies Tomorrow refers to a line spoken by the film’s lead character Amy (Kate Lyn Sheil) to her sister Jane (Jane Adams) early on in the movie. Jane shrugs it off, but then slowly becomes obsessed by the possibility that she too could die tomorrow. She goes to a birthday party where she passes on her distressed theory to a group of four (Chris Messina, Katie Aselton, Jennifer Kim, and Tunde Adebimpe),…
