A life of tragedy is recounted in Memoir of a Snail, a melancholic stop-motion animated film for mature audiences from writer/director Adam Elliot (Mary and Max). Following the death of their closest friend, Grace (voiced by Sarah Snook of HBO’s Succession and Netflix’s Run Rabbit Run) frees one of her pet snails. From the time it takes the snail to leave Grace and arrive to its garden destination, Grace reflects on her life leading up to this heartbreak;…
Donald Trump has denounced The Apprentice. Not to be confused with his hit reality show of the past, The Apprentice is a docudrama chronicling the relationship between Trump and lawyer Roy Cohn. But, it seems as though the former president has misinterpreted Ali Abbasi’s movie as a biopic on his life as a businessman-turn-infamous mogul. There are biographical elements to The Apprentice , but the focus isn’t specific enough to be a Trump biopic. If Trump had stepped back, he would’ve seen that…
In The Outrun, Rona (Little Women’s Saoirse Ronan) finds herself using alcohol as a coping mechanism. However, she’s also aware that she may be abusing the escape from reality. Trying her best to occupy herself with passions, relationships and changes in scenery, her inability to control urges to binge drink distances herself from her parents and her selfless boyfriend Daynin (Papa Essiedu), as well as places her in harm’s way.
Canadians are currently witnessing a funny contrast in their local multiplex – Reagan is screening at the same time as Deaner ’89. If Reagan is supposed to accurately depict what the United States was like in the 80s, Deaner ’89 is the “meanwhile in Canada” example.
By: Trevor Chartrand The notoriously quirky Jason Schwartzman (The Overnight) stars in Between the Temples as – brace yourself – an odd-ball character. Shocking, right? In all seriousness though, Nathan Silver’s offbeat film does ultimately prove to be a relatively serviceable, if tired, indie-style dramedy. To the movie’s credit, Silver explores an otherwise formulaic narrative with a character-focused vulnerability that truly enhances the material.
Close to You is stark with vulnerability, living within the vacuum of anxiety from the personal perspective of a trans man.
By: Trevor Chartrand Rich Peppiatt’s Kneecap takes a fresh take on music biopics – a welcome approach to an otherwise tired genre. Unapologetically grimy and raw, music is the beating heart of this surprising and enticing gem. The movie chronicles the dramaticized origin of Kneecap, the titular hip-hop band from Northern Ireland. Comprised of Irish rappers Naoise Ó Cairealláin (stage name: Móglaí Bap), Liam Óg Ó Hannaidh (Mo Chara) and their mixer JJ Ó…
Daddio looks like an effortless movie, which is its greatest strength. Some of this credit can be offered to its central stars, The High Note’s Dakota Johnson and Milk Academy Award winner Sean Penn, who are both working at the top of their games. But, it’s writer/director Christy Hall who deserves to be praised for her impeccably controlled feature film debut.
We Grown Now tells a singular story that could very well speak for many families who grew up in Chicago’s now-demolished Cabrini-Green housing development. And with impoverished minorities still feeling the struggle of finding a regular routine, writer/director Minhal Baig (One Night) has made a 90s period film that certainly holds a mirror up to contemporary society.
