Fire Island filmmaker Andrew Ahn follows up his streamer sleeper hit with The Wedding Banquet, a contemporary remake of Ang Lee’s 90s rom-com of the same name. While I can’t comment on how faithful this adaptation is to its source material, outsiders (like myself) will enjoy Ahn’s genre-clashing family dramedy. Much of The Wedding Banquet can be perceived as a farce – misunderstandings and personality swaps build up to a grand charade where the masqueraders will benefit…
My experience with the minimalist work of Kelly Reichardt is limited. I had disliked her drab period piece Meek’s Cutoff, but I seemed to be in the minority; I gave her the benefit of the doubt. But after watching her latest drama First Cow, another dull yet highly acclaimed period piece, I’m sticking by my guns but I’m not so forgiving.
By: Jessica Goddard A movie packed with subtlety and nuance, Kelly Reichardt’s Certain Women both wrenches the heart and flexes one’s critical capacities. Do we have sympathy for this character because we authentically suspect they’re a good person in spite of their actions, or do we desperately want them to be a good person because we feel so deeply sorry for them?