Golden Delicious is melodramatic molasses. Each emotional beat, as sincere as they may be, can be seen coming from a mile away as they slowly roll their way towards the screen. Personal epiphanies from the characters feel like déjà vu to movie goers who may be more than familiar with coming-of-age stories involving closeted teens becoming more in touch with who they are.
Passages has a great introduction. Film director Tomas (Franz Rogowski) orders actors around and painstakingly focuses on someone’s inability to walk down a flight of stairs. As Tomas shows the actor how to walk down the stairs, it becomes very obvious that Tomas wants to be idolized. He does this by being intimidating to get what he wants.
The growing tension in Blue Jean is unmatched; clouding the titular character’s life until they feel they have no choice but to act rashly to protect themselves, and underestimating the fallout.
L’immensità is a mesmerizing 70s slice of life, anchored by excellent performances and deeply felt emotion both in front of and behind the camera.
Does outrageous entertainment made by the LGBTQ community always have to be “campy”? That’s a question that I asked myself between laughs during Summoning Sylvia, a wacky horror-comedy that serves as a directorial debut for Broadway actors Wesley Taylor and Alex Wyse.
I wish I had a movie like Erin’s Guide to Kissing Girls as a kid in elementary school. Aside from its terrific LGBTQ-friendly presence, it sports such self-confidence and reassurance in its characters; all wholesomely written and directed by Julianna Notten making her feature-length debut as a filmmaker. Making as big of a splash is Elliot Stocking, who plays the titular Erin. Stocking, in a breakout acting debut, hits a sweet spot with their co-stars…
The marketing campaign for Bros was based around its groundbreaking elements, reminding viewers that the LGBTQ+ cast on screen were out and proud and that everyone involved was working on telling an honest romance from the queer perspective. It’s also, reportedly, the first widely released rom-com of its ilk. That’s great and I’m elated for the production but, at the end of the day, what’s the word on the movie itself?
Sex work is just another shitty job in Bliss, a tender and moving exploration of queer love and intimacy written and directed by German filmmaker Henrika Kull (Intimate Distance, Jibril).
Emma Seligman’s Shiva Baby is a comedy of manners from hell (in the best way possible).
At a time when drag has made its way into mainstream media (thanks, in no small part, to the Emmy winning reality television show Ru Paul’s Drag Race), Jump, Darling stands as a much-needed antidote to the commodification of an art form that was created by and for queer and trans people. It isn’t a bad thing that straight folks these days know what a death drop is, but at times it does feel as…