A night of flirting and drinking leads up to House of Darkness’ initial scene, featuring a coy couple exchanging smiles as Hap (Justin Long) anticipates more canoodling with Mina (Kate Bosworth) at her place. She invites him in and, immediately, he can’t believe her house which resembles a castle-style mansion. For some reason, he shrugs off the peculiar detail that it’s lit by several candlesticks and that Mina is dressed for a long-ago period, but…
A doc about filmmaker Kevin Smith poses an interesting challenge for the documentarian because Smith has been so open so often on public forums. What else can you explore that he hasn’t expanded on already? From feature-length behind-the-scenes bonus features to Smith’s lengthy discussions taped at colleges and concert venues, Smith has covered his life and career from (seemingly) every angle.
By: Trevor Chartrand Director Gille Klabin hits a surprising home run with The Wave, a fast-paced, drug-fueled, comedy/thriller with an unexpectedly cathartic conclusion. It’s a film rich in tone and atmosphere, similar to the time-slipping (500) Days of Summer or even Tim Burton’s whimsical Big Fish. The movie is set in an enriched, highly-detailed world that would require multiple viewings to discover each layer of creative foreshadowing, and each hidden easter egg.
By: Addison Wylie Upon seeing Jobs, the Ashton Kutcher led biopic about late visionary and Apple CEO Steve Jobs, I was interested to see how a spoof would be handled in the future given how much material Joshua Michael Stern’s film unintentionally supplies. However, the jokers at Funny or Die have jumped the gun and created the satire before Jobs was made – earning it the title of “the first Steve Jobs movie”. Don’t worry…
