By: Addison Wylie I’ve underestimated filmmaker Jonathan Levine. When he first debuted with The Wackness, he had proven to have a great eye for detail in his mid-90’s settings but nothing else more. I’ll eat my fair share of crow because with 50/50 and now with his zom-com Warm Bodies, he has a resumé that gives plenty of evidence that he realizes how to recognize humanity and what makes us tick. It’s a skill that makes his characters more than just “characters”. He challenges himself with Warm Bodies; what better…