Death Wish
By: Nick van Dinther Bruce Willis is at his best when he’s playing the sarcastic, one-lining ass kicker. In Eli Roth’s Death Wish, that’s exactly who audiences get.
Homage
Blood in the Snow 2015: ‘Secret Santa’
By: Addison Wylie Secret Santa has been made to entertain, and entertain it does. Mikey McMurran’s horror throwback pays homage to an era where slasher films ruled exploitation cinema. There was an unlimited supply of blood, actors camped it up, and synthesizer stings sliced through any scene with a hooded figure. If you’re looking for visual and audio cues in a surface-deep tribute, you’ll be satisfied by the Cambridge native’s low budget lark. Secret Santa…
The Editor
By: Shahbaz Khayambashi The Winnipeg-based Astron-6 film collective has made a career out of churning out 1980s-inspired pastiches, so it was only a matter of time before they gave giallo – the Italian horror subgenre that is equal parts noir and splatter – their treatment with The Editor. Here, the hero is a film editor with a tragic past who makes a living editing exploitation films. As he edits the film-within-a-film, life imitates art and several of…
Toronto After Dark 2015: ‘The Hollow One’
By: Shannon Page Known for directing video games such as Gotham City Impostors and Alien vs. Predator 2, Nathan Hendrickson makes his feature film debut with The Hollow One, a horror about an unstable young woman (Rachel played by Kate Alden) struggling with her memory of a tragic event. Rachel and her sister Anna (Chelsea Farthing) return to the small farming town of their childhood and reunite with Racheal’s ex-boyfriend (played by Jesse James of Jumper and TMI…
Here Comes the Devil
By: Addison Wylie I don’t know what possession is more crucial and harmful: the ones that occur in Here Comes the Devil within the Tijuana cliffs or the wrestling match between mature horror and fanboy immaturity that litters the film’s screenplay. Adrián García Bogliano’s horror is one of those movies where audiences can tell there are heavy influences driving the film. It’s also one of those movies where these homages don’t simply stay on the filmmaker’s…