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Fantasy

Reviews

Damsel

Though Netflix’s latest female-led action flick was released on International Women’s Day, Damsel makes an unconvincing case to empower anybody.  Especially when the film stops in its tracks to have its heroine Elodie (Stranger Things’  Millie Bobby Brown) denounce the story’s deliberate discriminatory attitude towards young women.  However, if viewers are looking for a fun romp where that same heroine is in a cavernous cat-and-mouse chase from a fire-breathing, angry dragon, Damsel is just the…

Reviews

Nope

Jordan Peele has quickly proven to be a filmmaker with a lot on his mind, which he then translates effortlessly to the screen.  His intelligent writing for Get Out earned him an Oscar, and Us convinced audiences that Peele’s feature-length debut wasn’t just a fluke.  Peele’s third film, Nope, allows the writer/director to expand his scope;  both with his screenwriting and as a visual storyteller.

Reviews

The King’s Daughter

The King’s Daughter has a lot of strikes against it.  It wrapped in 2014, and it shows.  It’s a shameless Pirates of the Caribbean wannabe, with the romantic lead resembling an Orlando Bloom-Johnny Depp mashup.  The other performances are broadly mannered.  The overlit locations look as if they belong on stage or on a television show.  And, the effects are a little hokey.

Reviews

Jiu Jitsu

By: Trevor Chartrand I am sad to share the unfortunate fact that Jiu Jitsu is, quite frankly, an awful movie…conclusively, undeniably disappointing all around.  Even with low expectations for an absurd martial arts B-Movie, this film is still going to be a big let-down for viewers.

Reviews

100% Wolf

100% Wolf is a thought-free zone for kids and adults alike.  A plus for viewers wanting to look at bright colours and flashing lights, but a bit of a bummer for those who like their animation a little less hyper.  Even if young movie goers enjoy the mindless entertainment that 100% Wolf is dishing out, they still might have a hard time grasping the storyline and the type of frenetic fantasy it relishes in.

Reviews

Dreamland

Pontypool is one of my favourite movies, even though I really dislike its post-credit sequence.  It’s a random bit that looks like a deleted scene from Robert Rodriguez’s Sin City series, featuring obscure characters that we haven’t seen before exchanging hard-boiled dialogue – it’s moody nonsense.  It makes as much sense as the entirety of Dreamland, a pseudo-fantasy-noir that has the gall to ride the coattails of Pontypool;  squandering the reunion of its filmmakers and…

Reviews

A Wizard’s Tale

It’s embarrassing to admit, but A Wizard’s Tale – a film intended for small children – took me a while to finish.  The storytelling, so hyper.  The humour, so random.  And no matter how many times I rewatched pivotal parts, I was still left dumbfounded.  When our heroes reached a kingdom of “balloon-people”, I knew I wasn’t losing it – the movie was.