Caligula: The Ultimate Cut is deservedly being treated as an event. This restoration of the provocative 1980 swords-and-sandals historical drama is currently being screened in 4K Ultra High Definition at select theatres as part of an exclusive roadshow. The movie is the epitome of a re-imagining; a perfected cut that scraps all of the footage from the box office hit in exchange for a shot list of different angles and takes, as well as using…
In Fair Play, Emily (Phoebe Dynevor of Netflix’s Bridgerton) and Luke (Alden Ehrenreich of Solo: A Star Wars Story and Cocaine Bear) are financial analysts who are discreetly dating but individually on the offence at the workplace. The hedge fund they work for is highly competitive, but unprofessional when dealing with internal matters. An open promotion heard through the grapevine makes everyone more sharp and vicious, but it’s Emily who is eyed for the position….
Jim Cummings proved to be a brilliant performer and an exciting filmmaker with Thunder Road, a film he not only directed but also wrote and starred in. As that film’s leading character, he commanded the screen with run-on breakdowns that ranged from hysterical highs to desperate lows. The unforgettable results balanced heavy emotions and dark comedy.
In between takes on the set of David Fincher’s Gone Girl, Tyler Perry must’ve thought about making a crime drama or an erotic thriller; and he must’ve thought about merging those ideas into one project. But like most pipe dreams, these visions are usually filed away into our subconscious. But for Perry, A Fall from Grace must’ve been itching to get out.
There’s not much that You Get Me actually “gets” other than a few unintentional, campy laughs.
By: Addison Wylie I didn’t think it was possible for a film to be spoofed, and then be turned back into the po-faced material the parody was making fun of – then, I saw Fifty Shades of Grey. The movie feels like someone picking up the pieces to a dated romance, and trying to glue them back together to make something even more manipulative. Sam Taylor-Johnson’s film is so misinformed and shallow, you would think the filmmaker was making…