To say Florian Zeller’s The Son isn’t as successful as his 2020 Academy Award winner The Father would be an understatement. While it’s a mediocre family drama, it doesn’t resonate nearly as much as its predecessor did because of how narratively basic and emotionally broad it is.
Writer/director Hirokazu Kore-eda, who made a strong impression with 2018’s Shoplifters, revisits conflicting perspectives in Broker.
Academy Award-winning director Laura Poitras (Citizenfour; My Country, My Country) doesn’t hold back in her latest documentary, a devastating portrait of fiery artist and activist Nan Goldin. Words like “heartbreaking” and “inspiring” are insufficient to describe this powerful story of community, activism, and survival.
Triangle of Sadness pitches itself as a sophisticated comedy with “biting” satire about elitist attitudes during class wars. However, the jabs made by writer/director Ruben Östlund are nothing more than the filmmaker taking swings at low-hanging fruit for a ridiculously long runtime; intercut occasionally by tired attempts to be outrageous to offset an arthouse reputation.
Triangle of Sadness pitches itself as a sophisticated comedy with “biting” satire about elitist attitudes during class wars. However, the jabs made by writer/director Ruben Östlund are nothing more than the filmmaker taking hackneyed swings at low-hanging fruit for a really, really long time.
Brett Morgen is a brilliant documentarian as seen in The Kid Stays in the Picture, Jane, and Kurt Cobain: Montage of Heck – the last flick mentioned being, what I believe, is one of the best movies ever made about a musician. His latest endeavour Moonage Daydream, a documentary about enigmatic artist David Bowie, is cut from the same cloth as Montage of Heck with the movie resembling a mixture of mediums but, this time,…
Brett Morgen is a brilliant documentarian as seen in Jane and Kurt Cobain: Montage of Heck – the latter being one of the best movies ever made about a musician. His latest endeavour Moonage Daydream, a documentary about enigmatic artist David Bowie, is cut from the same cloth as Montage of Heck but, this time, it’s billed as more of a “cinematic experience”. And, it appears that most of the production’s focus has been applied…
I can’t remember that last time I wanted to grab the reigns of a movie as badly as I did while watching Sharp Stick, Lena Dunham’s return to directing self-written material since her acclaimed HBO series Girls. With this latest endeavour, Dunham is heading in a good direction with interesting and peculiar characters and then, two-thirds through the movie, Sharp Stick takes a hard turn into another character arc that seems like an unfair trade-off…
Marcel the Shell with Shoes On has always found a way to make people laugh through short films and literature. For their next trick, creators Dean Fleischer-Camp and Jenny Slate effortlessly expand on their concept to include more of an emotional core to Marcel’s world in this self-titled, feature-length debut.
A family’s secret unravels in A Chiara, much to the surprise of a formally unaware titular teenager (played well by newcomer Swamy Rotolo, confidently leading the film). Chiara is worried and paranoid about her family’s safety, but she’s also angry that nobody will explain the situation to her. She receives reassurance, but that isn’t enough when she’s witnessed her father fleeing a scene before their family car was blown up.