Triangle of Sadness pitches itself as a sophisticated comedy with “biting” satire about elitist attitudes during class wars. However, the jabs made by writer/director Ruben Östlund are nothing more than the filmmaker taking hackneyed swings at low-hanging fruit for a really, really long time.
Brett Morgen is a brilliant documentarian as seen in The Kid Stays in the Picture, Jane, and Kurt Cobain: Montage of Heck – the last flick mentioned being, what I believe, is one of the best movies ever made about a musician. His latest endeavour Moonage Daydream, a documentary about enigmatic artist David Bowie, is cut from the same cloth as Montage of Heck with the movie resembling a mixture of mediums but, this time,…
Brett Morgen is a brilliant documentarian as seen in Jane and Kurt Cobain: Montage of Heck – the latter being one of the best movies ever made about a musician. His latest endeavour Moonage Daydream, a documentary about enigmatic artist David Bowie, is cut from the same cloth as Montage of Heck but, this time, it’s billed as more of a “cinematic experience”. And, it appears that most of the production’s focus has been applied…
I can’t remember that last time I wanted to grab the reigns of a movie as badly as I did while watching Sharp Stick, Lena Dunham’s return to directing self-written material since her acclaimed HBO series Girls. With this latest endeavour, Dunham is heading in a good direction with interesting and peculiar characters and then, two-thirds through the movie, Sharp Stick takes a hard turn into another character arc that seems like an unfair trade-off…
Marcel the Shell with Shoes On has always found a way to make people laugh through short films and literature. For their next trick, creators Dean Fleischer-Camp and Jenny Slate effortlessly expand on their concept to include more of an emotional core to Marcel’s world in this self-titled, feature-length debut.
A family’s secret unravels in A Chiara, much to the surprise of a formally unaware titular teenager (played well by newcomer Swamy Rotolo, confidently leading the film). Chiara is worried and paranoid about her family’s safety, but she’s also angry that nobody will explain the situation to her. She receives reassurance, but that isn’t enough when she’s witnessed her father fleeing a scene before their family car was blown up.
A 420 special guest review by: Jeff Ching As the credits rolled for Everything Everywhere All At Once, I sat there with many things going through my mind.
After Yang chronicles the in-between of a family tragedy. Set in the not-so-distant future (similar to Spike Jonze’s Her), an assistive android named Yang (Justin H. Min, in one of this year’s strongest supporting roles) suddenly malfunctions. Yang’s assigned family are shaken up as they grasp for an action plan. The search for a satisfying resolution falls on the father, Jake (Colin Farrell), who slowly discovers more of Yang’s purpose as he shops around for repair…
Ted K places the viewer next to Ted Kaczynski, infamously known as the “Unabomber”. Portrayed with the utmost commitment by Sharlto Copley (Elysium, Hardcore Henry), Kaczynski expresses distain for a lot of outsider elements that have pushed him towards living off the grid in Montana. The film is narrated by lifted passages from his writing, and the film prides itself on shooting in the same area Ted secluded himself to.
The Cursed (formally titled Eight for Silver) is a morality tale of sorts. Writer/director Sean Ellis (Metro Manila) tells a disturbing story about how shameful decisions made by an older generation can haunt the next of kin.