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Documentary

Reviews

The Road Movie

Starting this month, Dmitrii Kalashnikov’s experimental doc The Road Movie begins a theatrical tour that will last over a year.  Toronto’s Royal Cinema is the first stop, and the journey continues through the United States before heading back to Canada next February;  it concludes in Boulder, Colorado the following month.  That’s impressive for a shoestring indie, especially one that would be “TOO HOT FOR TV”.  Twenty years ago, Joe Francis would’ve sold this at 2:00am…

Reviews

Ramen Heads

A documentary about ramen sounds a little thin (and, believe me, the movie is), but the interviewees in Ramen Heads pull their weight and offer audiences interesting tidbits about the art, history, and “slurpibility” of the delicacy.

Reviews

Big Time

Big Time does a good job acknowledging the genius of Danish architect Bjarke Ingels, even if the documentary lacks modesty.  However, I felt distance between myself and Ingels, and director Kaspar Astrup Schröder wasn’t doing anything to mend this gap.

Festival Coverage

Blood in the Snow 2017: ‘Fake Blood’

Collaborating filmmakers Rob Grant and Mike Kovac receive a tape from an alleged fan mimicking a disturbing scene from their crime comedy Mon Ami.  Rob and Grant, immediately feeling guilty about inspiring a movie goer in the wrong way, reflect on cinematic violence and compare it to real-life acts of assault.  It’s a personal insightful adventure that leads them down an unpredictable rabbit hole.

Reviews

Jane

Recently on Twitter, a user asked their followers to name the best documentaries of the decade.  Instead, I named three notable documentarians who have produced excellent work.  One of those mentioned filmmakers was Brett Morgen.  Morgen has made one of the best docs about Hollywood history (The Kid Stays in the Picture), one of the best docs about music history (Kurt Cobain: Montage of Heck), and with his latest project Jane, he’s made one of the best…