By: Addison Wylie Now that we’ve recognized the bad movies that were slingshot at audiences last year, it’s time to move on and engulf ourselves in the cream of the crop. 2013 introduced a wide variety of great films to audiences. I feel like I say that every year, but as I scour my selected picks, the only thing these movies share are the odd genre they’re grouped in. Take documentaries, for example. Audiences were…
By: Addison Wylie As the Oscars approach this Sunday, the time is finally here to reflect on 2013 through a pair of lists – my picks of the best and the worst. Let’s get the duds out of the way to make way for the flicks that’ll be remembered for years to come. 2013 introduced me to a new type of “bad”. It was a sub-version spawning off of the type of hatefulness I only…
By: Addison Wylie Lloyd Kaufman has proven with Return to Nuke ‘Em High Volume 1 that you can go “back to the well” and resurrect a bawdy riot that was started more than two decades ago. The filmmaking ringmaster returns to Tromaville to continue the story of plagued teenagers who are slowly mutating due to exposure of toxic waste. The nasty nuclear power plant (which was stationed beside the high school) has been torn down,…
By: Addison Wylie As far as films with an ensemble cast go, August: Osage County is among the best. Its star studded line-up filled out by Meryl Streep, Julia Roberts, Ewan McGregor, Chris Cooper, Juliette Lewis (just to name a few) is enough to get movie goers in seats. What pays off even more are the exceptional performances during the constant sparring between these highly dysfunctional family members. The Westons have a large family and…
By: Addison Wylie The Final Member – an outrageous documentary from filmmakers Jonah Bekor and Zach Math – is cheekily strange and hilariously honest. I half expected mockumentary legend Christopher Guest to come running out at any moment. There’s no way this documentary about the world’s lone penis museum could be real. Fortunately, it is. And, don’t be surprised if this fascinating film becomes one of your favourite docs of the new year. Not since…
By: Addison Wylie Basketball superstar Jeremy Lin had a rise to fame that was the epitome of an underdog story. Having set aspirations to become an athlete someday, Lin rarely winced when faced with challenges. He played basketball because he enjoyed it, planted reasonable expectations while cementing his priorities, and gained notoriety by naturally being a talented player. Evan Jackson Leong’s uplifting doc doesn’t phonily paint Lin as such an upstanding individual. He simply comes…
By: Addison Wylie American Hustle is like watching a group of distinguished hard boiled card players play poker when you’re only learning the ropes. None of them will break their deadpan expression or expose their hand. Suddenly, someone will make a game changing move and raise the stakes. Someone to your left leans over and – with pure exuberance – tells you how important the move was. Meanwhile, you nod with acknowledgment and when they’re…
By: Addison Wylie Berberian Sound Studio didn’t frighten me. It didn’t creep, weird, or freak me out either. I didn’t get any sort of shivers out of the experience nor did I get any heebies or jeebies. If Peter Strickland’s film is anything, it’s mildly unsettling. It smartly pleads the case that our imaginations can provide strokes of detail if a film supplies the foundation for which our thoughts are built on. It’s absolutely true…
By: Addison Wylie Dominga Sotomayor Castillo has been collecting accolades for her directorial debut Thursday Till Sunday. Her young female lead – 11 year old Santi Ahumada – has also been earning her fair share of praise for her innocent performance. However, I regret to inform Castillo and Ahumada that they won’t be earning any applause on the Wylie Writes front because Castillo’s filmmaking has serious issues and Ahumada’s performance – following similar footsteps as last year’s…
By: Addison Wylie The power of suggestion is afoot in The Master. Not just in the film itself, but it surrounded the film’s promotion and lead-up to its theatrical release. With the mention of a cult and a leader confidently guiding followers through his “rational thinking and cleansing”, many linked Paul Thomas Anderson’s latest to Scientology and to L. Ron Hubbard, the creator of the infamous religion. It struck controversy around the film and the…