Hit Man

Versatile, academy award nominated filmmaker Richard Linklater (The Before… series, Boyhood, Apollo 10 1/2: A Space Age Childhood) and rising star Glen Powell (reuniting with Linklater after 2016’s Everybody Wants Some!!) have combined their charm to make Hit Man, a strange caper loosely adapted from the double life of college professor Gary Johnson (played by Powell).


Villains Inc.

After watching kids have a ball with subversive superhero fodder like Megamind, The Bad Guys, and the Despicable Me franchise, older audiences finally get to have their fun with Villains Inc.  But instead of assuming that adults want another frenetic flick with balls-to-the-wall violence and a four-to-twelve-letter colourful dialect (ala Kick-Ass and its sequel), Villains Inc. works within a more patient element with organic wit while outrageous characters build charismatic rhythms.


Wicked Little Letters

The scandal at the centre of Britain’s dark comedy Wicked Little Letters – mail addressed from an anonymous source that uses risqué language – seems petty in comparison to the waves of crime procedurals at-home audiences educate themselves on weekly. But as naïve as the crime may appear to be, the controversy spoke to the times and ignited much needed awareness around inequality.


Mean Girls

Nearly 20 years after its initial release, a different rendition of Mean Girls – the cult teen flick penned by and co-starring Saturday Night Live alum Tina Fey – tries to make as much of an impact as its predecessor did.



With only two features under their belt, married filmmakers Dane Clark and Linsey Stewart have demonstrated that a story can be singlehandedly developed on a unique and personal dynamic between two characters. While their debut indie I Put A Hit On You may have fizzled after liftoff, their sophomore effort Suze shows growth in all the right areas; resulting in an absolute crowd-pleasing charmer.