Christopher Abbott

Reviews

The World to Come

The World to Come, the second feature from Norwegian filmmaker Mona Fastvold (The Sleepwalker), is a plodding meditation on love and grief that is salvaged from mediocrity by the palpable chemistry between its lead actors.  Still, the film doesn’t offer much that is fresh of exciting and rehashes some tired lesbian period piece tropes.

Reviews

Black Bear

By: Jessica Goddard Our own Addison Wylie mentioned I probably shouldn’t watch the trailer for Lawrence Michael Levine’s Black Bear, since it would be better to go in cold.…and boy was he right.  When I tracked down the trailer after seeing the film, I was shocked by how much it gives away.  So in that spirit, I’ll warn that this review contains what are, effectively, spoilers (though that’s not the perfect word).

Reviews

Possessor Uncut

Possessor Uncut is a surprisingly undercooked psychological horror from Brandon Cronenberg.  It’s filled with provocative qualities, but they’ve been assembled in a way that doesn’t come together and, instead, work as standalone strengths.

Reviews

It Comes at Night

There is a tradition in American horror cinema of making a short film with a lot of effects and minimal plot to be eventually used as a calling card.  It seems like this practice has found its way into the feature length semi-mainstream.  At least, that’s the only explanation for the existence of Trey Edward Shults’ It Comes at Night, a film which shows the director’s abilities as a horror filmmaker – including his great gift for…

Reviews

James White

By: Addison Wylie After accumulating directorial experience with shorts films and serving as a producer on critically acclaimed indies such as Simon Killer and Martha Marcy May Marlene, Josh Mond has taken the leap to feature films with James White.  A film that will convince you that Mond has been in this business longer than his back catalogue suggests.