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Reviews

Pogey Beach

Pogey Beach offers a predicament: it’s a comedy that’s not necessarily funny, but you’ll still laugh for the right reasons.  Jeremy Larter’s slacker comedy will put the viewer in more of a fugue state than sun stroke ever could.

Reviews

Into Invisible Light

Into Invisible Light would have had better compatibility on stage than how it currently plays in its cinematic scope.  As it is, the movie’s fine – decent even.  But by projecting itself to fill a larger space, Shelagh Carter’s modest dialogue-driven drama calls attention to its barebones aesthetics when really these details should be, well, invisible.

Reviews

We

By: Trevor Chartrand Director Mani Nasry has made a very personal film with We, and it’s certainly commendable, brave even, to see how transparent this young director has been in making the film – I suspect we’re getting a deep look into his mind, his personal philosophies and hardships.  Nasry and his crew deserve a lot of respect for what their film is trying to do – however the finished product is far from flawless.

Reviews

Cardinals

Chilly character drama Cardinals revolves around a trauma that ends in death and a prison sentencing.  And while it appears justice has been served, interest flares up when suspicions drudge up the past.

Reviews

22 Chaser

With 22 Chaser, director Rafal Sokolowski gives Toronto a vibrancy and grit usually associated with big American cities.  This edgy vision efficiently (and stylistically) projects the aggressive nature between the film’s competitive characters, who are trying hard to earn their keep.