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Canadian Film Fest 2025: ‘Gold Bars: Who the F*ck Is Uncle Ludwig?’

April 8, 2025Addison Wylie0 Comments

Surly lawyer Glenn “Joseph” Feldman is certain that a former business partner was profiting from a hidden stash of stolen Nazi gold.  In fact, Joseph’s infamous conviction becomes detrimental to his career and personal life, and has brought on a defamation lawsuit against him by his old friend.  His skeptical and inquisitive daughter, Alex, wants to help bring closure to this chapter with some tough love and some outsider expertise. Billie Mintz’s documentary looks slick…

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Seven Veils

March 15, 2025Addison Wylie0 Comments

Academy Award nominee May December and, now, Atom Egoyan’s Seven Veils are cut from the same cloth. Yet, I don’t know how to classify these types of heightened melodramas. These movies are not outright funny, but they have strange moments that are so deliberately jarring, the audience can’t help but giggle out of confusion. While this is a unique concoction, and can help the filmmaker achieve a specific brand of campiness, juxtaposing heavy themes within this…

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Paying For It

February 5, 2025Addison Wylie0 Comments

Last seen on screen in Close To You but more famous for her groundbreaking performance in John Cameron Mitchell’s sexually charged Shortbus, Sook-Yin Lee tries to match Mitchell’s knack for tender confrontations with her directorial effort Paying For It. The Shortbus filmmaker must approve. After all, Mitchell serves as an executive producer on this adult flick. The inspiration for Paying For It also comes from Chester Brown’s graphic novel that Lee is adapting, which drew inspiration from Lee and Brown’s real-life…

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Young Werther

January 15, 2025Addison Wylie0 Comments

Young Werther is a witless comedy, which is awkward considering the production deems itself as a slick flick. While I can’t comment on whether Jose Lourenço’s feature-length filmmaking debut is faithful to its source material (the 1774 novel “The Sorrows of Young Werther” by Johann Wolfgang Goethe), I can relay to my readers what Young Werther reminded me of. Werther (Douglas Booth of Netflix’s The Dirt), someone who considers himself  to be a noble cosmopolitan and…

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Pins & Needles

December 2, 2024Addison Wylie0 Comments

Cat-and-mouse thriller Pins & Needles can’t escape its flaws. Unfortunately for editor-turn-filmmaker James Villeneuve, there’s plenty of them in his feature-length debut (which had its world premiere last month at the Blood in the Snow Canadian Film Festival).

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Wylie Writes’ One-On-One with Peter Lepeniotis

October 29, 2024Addison Wylie0 Comments

Ten years ago, I gained new respect for Peter Lepeniotis.  The Canadian animator was coming off the success of his first independently directed feature, The Nut Job, and he was very candid about the film industry with the audience at TIFF Kids.  He was a great storyteller and a fountain of knowledge.  But despite being a seasoned pro, Lepeniotis is still finding ways to challenge himself;  such as with R.L. Stine’s Zombie Town, the filmmaker’s live-action directorial…

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Die Alone

October 1, 2024Addison Wylie0 Comments

Die Alone is the latest from WolfCop director Lowell Dean, but it’s a much more sombre effort from the Saskatchewan filmmaker.  Still firmly rooted in horror within an undead dystopia, Die Alone is a tricky thriller that challenges its characters in unorthodox ways.

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The Pee Pee Poo Poo Man

September 22, 2024Addison Wylie0 Comments

I can picture filmmaker Braden Sitter Sr. watching the news and becoming sidetracked by the ticker scrolling across the bottom of the screen. I can also picture the filmmaker getting lost down a rabbit hole of ridiculous clickbait articles on social media. This isn’t a knock against Braden because a movie as off-the-wall as his unauthorized comedy The Pee Pee Poo Poo Man needs sheer mischievous curiousity to make it work, and there’s no shortage of…

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Backspot

June 3, 2024Addison Wylie0 Comments

My appreciation for Backspot moves like a teeter-totter.  While it’s worth congratulating the filmmakers for not giving in to sports clichés, the movie may have benefited from more melodrama.

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