We’re halfway through the year, which means it’s time for Wylie Writes’ mid-year recap. Don’t forget to click the coloured titles to read a more detailed write-up about the film!
While catching the latest movie may have been a low priority in 2020, the compromised release schedule still offered a particularly unique experience for viewers. Films relied, more than ever, on word-of-mouth which allowed smaller films to ride the same wave as at-home blockbusters; continuing the unpredictable boom of the streaming market.
It’s been an unpredictable year for movies, but 2020 has offered plenty of memorable titles – which is not always a compliment.
As 2019’s awards season comes to a close with the upcoming Oscars ceremony on February 9, the critics at Wylie Writes would like to shine a spotlight on the movies they thought were the very best of the year – including some festival favourites that will receive wider releases this year.
2018’s mind-boggling award season finishes tonight with the 91st Academy Awards. Considering that the festival circuit has been a scattershot of one-off wins, the team at Wylie Writes is eager to see what happens at the Oscars. However, before that ceremony, some of our critics want to shine a spotlight on the movies they thought were the very best – including some festival favourites that will hopefully be released wider this year.
We’re halfway through the year, which means it’s time for Wylie Writes’ recap of the best and the worst films of 2018. Don’t forget to click the coloured titles to read a more detailed write-up about the film!
All eyes may be on Damien Chazelle’s La La Land, Barry Jenkins’ Moonlight, Kenneth Lonergan’s Manchester by the Sea, or any of the other Oscar darlings, but 2016 offered a lot of other great movies. Below are Wylie Writes’ top picks; don’t forget to click the highlighted titles to read each contributor’s review!
2014 was a mediocre moviegoing year, but it wasn’t without some fantastic flicks. Documentaries particularly rose to the occasion. Select filmmakers started out with a simple subject, but then were forced to change their perspective every time a new layer was stripped away. Because of that, Being Ginger and Kung Fu Elliot were really special docs considering how personal they became. Movie goers also received an eclectic palette of comedies. It was a year where studios were…
By: Addison Wylie Now that we’ve recognized the bad movies that were slingshot at audiences last year, it’s time to move on and engulf ourselves in the cream of the crop. 2013 introduced a wide variety of great films to audiences. I feel like I say that every year, but as I scour my selected picks, the only thing these movies share are the odd genre they’re grouped in. Take documentaries, for example. Audiences were…