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The Worst Movies of 2016

This past year offered plenty of bad movies, but unfunny comedies, shabby horror movies, and excruciating documentaries truly challenged the critics at Wylie Writes.  Here are some of their “Worst Of” lists, and don’t forget to click highlighted titles for reviews.

Reviews

The Starving Games

By: Addison Wylie Reviewing The Starving Games won’t take very long, so leave your coat and shoes on. This halfhearted send-up to The Hunger Games has been pieced, glued, taped, and mashed together by infamous spoofmeisters Jason Friedberg and Aaron Seltzer.  It crawls and wheezes to feature length, yet only has enough material to fund a commercial bumper on the MTV Movie Awards – even that is pushing it. Friedberg and Seltzer have never hit a…

Reviews

Best Night Ever

By: Addison Wylie The suspiciously released comedy Best Night Ever could easily be retitled Wedding Movie. Or, Hangover Movie or Bridesmaids Movie to be a bit more on the nose. The reason why the film doesn’t go by those titles is because (A.) those suggestions are terrible and (B.) the directorial duo are most likely trying to distance themselves away from schlocky spoof movies.  That duo: Jason Friedberg and Aaron Seltzer. Friedberg and Seltzer need…

Reviews

Angry Video Game Nerd: The Movie

By: Addison Wylie Angry Video Game Nerd: The Movie is fanfare to its core.  It’s also a movie that was funded by fans through a highly successful Indiegogo campaign manned by filmmakers/screenwriters Kevin Finn and the Nerd himself James Rolfe. By avid YouTube subscribers and other online viewers having such an integral role in the making of Finn and Rolfe’s film, I’m not completely surprised to see the finished product completely pander to that crowd….

Reviews

Blended

By: Addison Wylie Adam Sandler has developed a foolproof plan.  It’s a movie formula that enables him and his friends to take luxurious vacations while making a movie in between excursions.  The baffling part is that even though these recent flicks get slammed by critics, they manage to make a lot of money.  I’m unclear as to if the film makes a profit, but it must be a good sign if Blended marks Sandler’s fifth…

Reviews

The Nut Job

By: Addison Wylie I have a theory about animated films aimed towards children that are headlined by The Weinstein Company.  And, The Nut Job gives me more material to work with. The Nut Job further solidifies my opinion that: the Weinsteins are severely out of touch with the youth of today, they think your children are dolts who will lap up anything animated, and they think you – the parent – are nothing more than…

Articles

Wylie Writes’ Ten Worst Movies of 2013

By: Addison Wylie As the Oscars approach this Sunday, the time is finally here to reflect on 2013 through a pair of lists – my picks of the best and the worst.  Let’s get the duds out of the way to make way for the flicks that’ll be remembered for years to come. 2013 introduced me to a new type of “bad”.  It was a sub-version spawning off of the type of hatefulness I only…

Reviews

3 Days to Kill

By: Addison Wylie 3 Days to Kill pairs action veteran Luc Besson with the imperious directing efforts of McG.  The two filmmakers have unmistaken love/hate relationships with movie goers, but it’s clear that these men have strengths in specific areas.  Besson has shown audiences how action can be exciting with jaw-dropping stunts, and McG knows how to capture an explosion.  The latter may sound underwhelming compared to Besson’s clout, but “flash” is McG’s forte. Their…

Reviews

Sharknado

By: Addison Wylie Here we go again!  A shoddy B-movie courtesy of The Asylum and SyFy has graced our pop culture palette and tons of people (including celebrities) are claiming it to be a film that’s “so bad, it’s good”. Sharknado earned infamous notoriety after its television premiere and has become so popular amongst a cult crowd, that it earned a fleeting theatrical run – including midnight screenings. The schlock fest has been embraced in…

Reviews

Peeples

By: Addison Wylie It’s more than likely Peeples has a script that was generated from ideas thought by a living being and then written with human hands.  But, try convincing yourself of that as you watch Tina Gordon Chism’s comedy.  It’s impossible. The screenplay – written by Chism – is more of a systematic sitcom template structured like an edition of Mad Libs.  Audiences can see each set-up, misunderstanding, and the results the mishaps create…