By: Jolie Featherstone Filmmaker Rose Glass follows up her sharp horror film Saint Maud with Love Lies Bleeding – a grimy, sexy, wild ride. A stylistic and psychedelic blend of self-aware Americana meets noir, Glass delivers a heady acid trip of a love story.
Amateur Cree filmmaker Cody Lightning shoots for the sky with Hey, Viktor!, an unexpected mockumentary that pulls its influences from the most unlikeliest of places.
By: Trevor Chartrand Thomas Cailley’s The Animal Kingdom is a modern-day fairy tale. A compelling and imaginative film that combines fantastical whimsy with an ominous, satiric edge.
On the Adamant, the latest endeavor from French documentary filmmaker Nicholas Philibert (The Land of the Deaf, Each and Every Moment, Nénette), is an almost deceptively subtle film. Following staff and clients of a psychiatric day centre on a floating structure in the Siene River in central Paris, On the Adamant combines slow, languid shots of the river (and the city that surrounds it) with interviews and scenes of the centre’s daily activities where patients paint, play…
Nearly 20 years after its initial release, a different rendition of Mean Girls – the cult teen flick penned by and co-starring Saturday Night Live alum Tina Fey – tries to make as much of an impact as its predecessor did.
Spaceman can seem intimidating to Joe Schmore scrolling through Netflix new releases: the cool intergalactic setting seems limiting, Adam Sandler is flexing his most sombre acting chops yet, and is that a giant spider he’s talking to? But when you boil the movie down to its basic fundamentals, Spaceman is not as challenging as one may think. This drama, which is pretty good to boot, is easy to follow and empathize with. This is, however,…
