This doesn’t happen too often – two films of the same specific sub-genre being released so closely to each other. In this case, the genre is the “home invasion thriller”. One’s really good, the other is really bad. Becky, the really good one, did a great job entertaining audiences with lots of inventive action. Its comparable evil twin, Survive the Night, takes us to the upside-down. It’s boring, illogical and its most famous star, Bruce…
You have two choices: focus on what’s insufficient in Becky or praise what the production miraculously pulls off. I would rather lean more towards the latter than the former. Sure, there are details in Becky that I wish had more time to breathe. On the other hand, the film is very entertaining, and it’s a career high for one of its actors.
By: Trevor Chartrand The debut film effort from the writer/director team Colin and James Krisel, Last Moment of Clarity is a very good try with plenty of room for improvement. The Krisel brothers attempt a Hitchcockian thriller akin to Gone Girl, involving a young man named Sam (Zach Avery) who, three years after witnessing his girlfriend’s death, discovers that she is still alive. Under threat for witnessing mob activity, the girl Sam knew as Georgia…
Punch and Judy are a couple of characters in a traditional British puppet show who are not exactly known for their subtlety. Punch is placed in charge of taking care of their kids. He hits the kid, his wife gets mad, he hits his wife, a cop shows up, he hits the cop, and so on and so forth. As such, it is a bit unusual that someone decided that this story, or rather the…
Adapting to a compromised year, the annual Canadian Film Fest has decided to screen select titles from the year’s lineup exclusively on Super Channel. Wylie Writes received a sneak peek of the two documentaries that will close out this year’s run.
Director, writer, and star Frederick Keeve demonstrates a strong imagination but a weak sense of dramatic ability in his feature The Accompanist, a story about a gay piano accompanist who becomes infatuated with a male ballerina amidst a series of tragedies that befall both men.
In The Invisible Man, the titular character – once a spooky Universal Classic Monster – receives a contemporary reimagining by writer/director Leigh Whannell.