After losing her high-paying job and dumping her emotionally distant boyfriend, Gabriela Diaz (Christina Milian) receives a contest in her e-mail to “win an inn” located in New Zealand (yes, you read that correctly). Along with a minor entry fee, online users are encouraged to send in an essay about why they deserve an inn. Without even questioning the possibilities of spam or a scam, Gabriela knocks back a couple of bottles of white wine…
Road to the Lemon Grove is at its best when it indulges fully in its love affair with Sicily. Montages of food in market stalls, picturesque coastlines, narrow streets, fruit trees, donkeys – these are the most pleasurable moments in the film. Unfortunately, they are all too frequently interrupted by a forced plot, underdeveloped characters, and an awkward premise.
Max Lewkowicz’s documentary Fiddler: A Miracle of Miracles teaches viewers about the history of the iconic musical Fiddler on the Roof, as well as the play’s cultural impact which still maintains its relevance to this day since first opening in 1964.
Illumination Entertainment and Universal Pictures have had luck with short films that star popular characters from their franchises; most notably those minions from the Despicable Me series. This success with the short-form platform is experimented with in The Secret Life of Pets 2, the feature-length sequel to 2016’s hit family film.
The Peanut Butter Falcon is an outstanding example of how filmmakers can make an in-the-moment crowd-pleaser and push it towards being a timeless classic. Written and directed by Tyler Nilson and Mike Schwartz, The Peanut Butter Falcon is a road movie that plays as a contemporary take on American fables; filled with recovering characters that are all endearing in their own ways.
When a film is described as “faith-based”, it seems to be a seal of fate for audiences who are ready to will it away if they don’t necessarily share the same beliefs. For filmmakers, it’s a tactic to deflect those same movie goers (and some critics) away from their work. But Overcomer, the latest film from Alex Kendrick (Fireproof, Courageous, War Room), could be a watershed for both sides.
By: Trevor Chartrand Canadian films have the unfortunate reputation for being ‘bad’ or ‘poorly produced,’ and as much as it hurts to admit, the generalization tends to be accurate. That’s certainly the case with the latest film from directors Marie-Hélène Cousineau and Michelle Derosierand. Angelique’s Isle tells the true story of a First Nations woman and her wilderness survival during the copper rush of the late 1800s.
By: Jolie Featherstone Ready or Not is a devilishly fun, macabre thriller that toys with the tumultuous nature of family and the blatantly unethical drive of the wealthy to maintain their status – with a dollop of blood thrown in for good measure.
By: Jessica Goddard The organized chaos and clutter of The Tape Escape endearingly reflects the atmosphere of an old-school video store, though it ought to be marketed more as interactive theatre than an “escape room” concept.
By: Jessica Goddard In the delightful tradition of remaking films and gender swapping the leads – which no one is getting tired of at all – After the Wedding struggles to be convincing in its premise.