Perfume War
Canadian documentary Perfume War captures the story of modern revolutionist Barb Stegemann and how she turned her compassion towards an intimidating circumstance into a passion that helped a country and an industry.
Canadian documentary Perfume War captures the story of modern revolutionist Barb Stegemann and how she turned her compassion towards an intimidating circumstance into a passion that helped a country and an industry.
A Quiet Passion is a stage play that has wandered into movie theatres. There’s nothing necessarily wrong with individual physical elements in this Emily Dickinson biopic, but writer/director Terence Davies (Sunset Song) doesn’t connect with his audience through the medium he’s presenting on.
Currently, the TIFF Kids International Film Festival (April 7 – April 23) is hosting a variety of content; including exclusive film premieres, industry insight, and interactive activities. I was fortunate enough to catch a couple of the premieres at this year’s TIFF Kids, and both films were encouraging examples from future storytellers.
David Fairhead’s Mission Control: The Unsung Heroes of Apollo shifts its focus from astronauts, and directs it to scientists, engineers, and technicians who played an essential role behind-the-scenes in the success of the Apollo era space program. These are the men that made the moon landing happen from back on earth, but their efforts are rarely as celebrated or glamorized as those of astronauts such as Neil Armstrong and Buzz Aldrin.
Let me ask you something: would you like to know more about filmmaker David Lynch? It’s a pivotal question that will make make-or-break your experience watching David Lynch – The Art Life.
Pardon me it this sounds silly, but I Called Him Morgan – a music documentary about jazz trumpeter Lee Morgan – has too much music. The music itself isn’t bad, but director/producer Kasper Collin has included so much of it that the tunes actually engulf the rest of this otherwise adequate film.
The Devout is a new addition to the faith-based genre, and it’s actually a pretty cool flick. You don’t often hear “cool” in the same discussion as recent faith-based cinema, so I assume I already have your attention.
By: Nick Ferwerda Song to Song is tough to summarize. Then again, I expect nothing less from Terrence Malick. The Oscar-nominated filmmaker is known to make, what can be considered, poetic films that consider plot as a secondary function. Honestly, I’m okay with that. It’s different and, every now and then, it’s refreshing.