Wylie Writes

Reviews

Freud’s Last Session

Movie goers who have claimed big screen adaptations of stage plays are stilted may be ready to dismiss Freud’s Last Session, but I hope they give it a chance.  This two-hander between Academy Award winner Anthony Hopkins (as neurologist Sigmund Freud) and Matthew Goode (as British author C.S. Lewis) is riveting and reminds viewers about the power of great acting.

Reviews

Be Still

Based on the play of the same name by Canadian playwright Janet Munsil, Be Still is an experimental biopic about the work and emotional pain endured by Vancouver photographer Hannah Maynard.

Reviews

Good Grief

While actor Daniel Levy has proven to be a comic force for loyal viewers of TV’s Schitt’s Creek, I personally find his demeanour suggests that he’s the smartest person in the room. Self-confidence is an admirable trait, but only if it avoids puffing up one’s ego. The idea of a feature film written and directed by Levy had me feeling skeptical, but I was optimistic for a surprise. Fortunately, Levy’s feature filmmaking debut, Good Grief,…

Reviews

Designer $hit

Actor Saffron Cassaday (Pete Winning and the Pirates: The Motion Picture) gives audiences an up close and personal perspective of her experience with ulcerative colitis and invites the viewer to tag along on her biohacking journey in her documentary Designer $hit.

Reviews

Smoke Sauna Sisterhood

The smoke sauna tradition of Vőromaa, in southern Estonia, is nearly a thousand years old.  On UNESCO’s list of intangible cultural heritage of the world, smoke sauna practices include the building and maintenance of saunas, smoking meat, making bath whisks, and bathing and cleaning rituals.

Reviews

Immediate Family

Denny Tedesco’s Immediate Family is the ideal spiritual sequel to his doc debut The Wrecking Crew, and a great example of a comfort film.  I’ve seen this documentary twice now: once to review it, the second just to revisit the groovy atmosphere.

Reviews

Eileen

Thomasin McKenzie (Old) and Anne Hathaway (rebounding from She Came to Me) are conflicted cohorts in William Oldroyd’s Eileen, a low-key chiller that slowly draws in the viewer despite the film itself not being much of a mindblower.