Russian wartime blockbuster T-34 was a hit in its native land. And while it’s receiving a softer release in North America, it deserves to be sought out and seen by movie goers looking for a good action movie.
The synopsis of Blackbear vaguely reminds one of the 2006 film Annapolis–a film that, if you recall (and if so, good for you), was marketed as a recruit training film in the vein of A Gentleman and an Officer, but was actually, secretly, a boxing film. Blackbear is similar: it starts off as a war film, with the two central characters as captives by ISIS, only to quickly become a boxing film within the film’s…
Jerry G. Angelo wears many hats in American Warfighter. Not only did he direct the film and write the original screenplay, but he also performs as Rusty “Wolfman” Wittenburg, a Navy SEAL haunted by his experiences of battle. I wish I could say that Angelo’s efforts have resulted in an impressive film, but the truth is that American Warfighter isn’t just lackluster, it’s downright bad.
For Sama (DIR. Waad al-Kateab, Edward Watts) For Sama is one of the heaviest documentaries I’ve ever seen – a true battle about staying hopeful in hopeless circumstances.
It’s been quite some time since I’ve seen someone tell a story as passionately as Max Martini does in SGT. Will Gardner. His activism against the mistreatment of war veterans rings sincerely through the writing and direction of his first solo effort as a filmmaker, and he wears his heart on his sleeve as the title character. The film itself is imperfect, but my admiration towards Martini helped me be forgiving.
A J.J. Abrams production is like the latest hipster eatery: they take a lot of effort to put together and people apparently like them, but once you have experienced one, it becomes apparent just how incredibly overrated they are. This is why I’m always so wary of these productions, and why his latest produced feature has been such a surprise – Overlord, directed by Julius Avery, is actually enjoyable!
Overlord (DIR. Julius Avery) American soldiers are dropped into German-occupied France and need to prepare for the D-Day invasion, but they find that the Germans are involved in some messed-up stuff.
By: Trevor Chartrand Between the imminent threat of attack, the dank living conditions and the terrible rations, there’s no nightmare worse than enduring trench warfare. Filmmaker Saul Dibb dares to depict these WWI conditions in Journey’s End, a gritty war drama with intense realism. To be clear, this isn’t a film that celebrates war heroes or glorifies the battlefield. Instead, the film follows a group of soldiers who are faced with the inevitable promise of death,…
The foxtrot, as you may know, is a dance – the movie reminds us of that. The first position is the same as the last, which the film (of the same name) uses as a metaphorical device to encompass the fate of the characters we see on screen.
By: Jessica Goddard Richard Linklater’s Last Flag Flying is a touching, exquisitely-performed road trip drama, full of insight and engaging questions for the modern era. This is a movie that never stops breaking your heart, while it keeps you guessing at all the right moments. It’s both patriotic and skeptical; somehow inspiring and disillusioning.