An impressive cast, an experienced screenwriter, a respectable director, and an amazing fight choreographer have collaborated to make the staggeringly dull revenge thriller The Protégé, a film that is reminiscent of so many indulgent knockoffs of Quentin Tarantino’s work.
Zola, to an extent, is experimental with its narrative. While it flows coherently, the film is very much still in tune with its source material – a series of tweets explaining a story that’s “strange yet true” – and presents itself as someone spinning you a wild yarn (intercut with tangents and outbursts).
In the same spirit as the Austin Powers sequels, The Hitman’s Wife’s Bodyguard is almost an exact replica of its crowd-pleasing predecessor that repeats similar jokes and plays on a heightened version of the dynamic that made the first film so memorable. And while a sequel can usually be grilled on repeating itself, this second round is strictly here for entertainment value; knowing exactly what it wants to set out to do and still delivering…
Wrath of Man is a good example of a movie exceeding expectations. Even if it’s just a slight change in elevation, it still counts in the long run.
Nicolas Cage’s cult appeal becomes rusty in Willy’s Wonderland, a tongue-in-cheek horror-thriller featuring the actor squaring off against animatronic creeps in an abandoned children’s play place.
Directed by Phillip Noyce (Patriot Games, The Bone Collector, Rabbit-Proof Fence), Above Suspicion is a fast-paced thriller based on the true story of a young Kentucky woman, Susan Smith (Emilia Clark), who becomes an up-and-coming FBI agent’s star informant.
Directed by William Olsson and written by Canadian author Catherine Hanrahan (adapting from her semi-autobiographical novel of the same name), Lost Girls and Love Hotels follows Margaret (Songbird’s Alexandra Daddario), an American with a steady job in Tokyo who fills in her loneliness with alcohol, one-night-stands, and kinky sex. One evening, she crosses paths and has a sincere connection with a stoic gentleman named Kazu (Takehiro Hira). Kazu doesn’t feel as enamoured as she does at first…
Written by Justin Benson and directed by Benson and Aaron Moorhead, Synchronic is the filmmakers’ follow-up to 2017’s The Endless and boasts the same brand of trippy, time-travelling science fiction.
By: Trevor Chartrand I am sad to share the unfortunate fact that Jiu Jitsu is, quite frankly, an awful movie…conclusively, undeniably disappointing all around. Even with low expectations for an absurd martial arts B-Movie, this film is still going to be a big let-down for viewers.
