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Reviews

We

By: Trevor Chartrand Director Mani Nasry has made a very personal film with We, and it’s certainly commendable, brave even, to see how transparent this young director has been in making the film – I suspect we’re getting a deep look into his mind, his personal philosophies and hardships.  Nasry and his crew deserve a lot of respect for what their film is trying to do – however the finished product is far from flawless.

Festival Coverage

Wylie Writes @ The 2018 Toronto Reel Asian International Film Festival

The Toronto Reel Asian International Film Festival (Nov. 8 -16) has ended yet another successful run, continuing to offer filmmakers and storytellers an integral platform to connect with audiences.  I was fortunate enough to catch a couple of the feature films programmed at this year’s Reel Asian Film Festival but, unfortunately, I was left feeling underwhelmed by my selections.

Reviews

Wylie Writes’ One-On-One with Jutta Brendemühl

The primary of objective of Goethe Films is to bring German cinema and television to Canadian audiences.  Though the series is known for showcasing contemporary art house film, the selection this October is of a slightly different flavour.  On October 4th, Goethe Films will host the exclusive Canadian premiere of Bad Banks, a co-produced German-Luxembourgish mini-series.  I had to opportunity to chat with Jutta Brendemühl, curator of the Goethe Films series, about Bad Banks, and…

Reviews

Another Kind of Wedding

By: Jessica Goddard Unfortunately, just calling itself Another Kind of Wedding isn’t enough;  this film isn’t any different from all the other wedding comedies out there.  After all, no one makes a movie about a perfect wedding where everything goes right and everybody gets along.

Events

Wylie Writes @ Ulrike Ottinger in Asia

All of us should occasionally stop and consider how lucky we are to have the TIFF Bell Lightbox.  On top of the populist arthouse fare that populates the majority of their schedule, the Lightbox occasionally introduces a brand-new audience to underrated, underappreciated, or simply underseen filmmakers.  The latest addition to this tradition is the Goethe Institute-curated mini-retrospective, Ulrike Ottinger in Asia;  a program of four features, three of which are Ottinger’s celebrations of various Asian cultures (the…

Reviews

Birdland

By: Nick van Dinther Some films can be accused of lazy storytelling and a lack of risk.  Well, neither apply to Peter Lynch’s Birdland.  Unfortunately, Lynch’s convoluted ambition makes Birdland a very difficult film to follow.