By: Mark Barber Adam Macdonald’s Backcountry is a terrifying mix of Jaws and Blair Witch, but manages to avoid the usual kitschy pastiche of recent Canadian genre films. Unlike the campiness of Wolfcop and Hobo with a Shotgun, Backcountry is an intense, serious horror film. Inspired loosely by tragic events, Backcountry follows a Toronto couple, Alex (Jeff Roop) and Jenn (Missy Peregrym), as they become lost in a camping trip in a northern Ontario park….
By: Shannon Page John Erick Dowdle’s (As Above, So Below; Quarantine) action/thriller No Escape is about an American businessman named Jack (Owen Wilson) and his wife (Lake Bell) who, along with their two young daughters, are caught in the middle of a violent coup in an unnamed Southeast Asian country. The film is surprisingly well-constructed and nuanced – all things considered. The script, which was co-written by Drew Dowdle and John Erick Dowdle, manages to be more self-aware…
By: Addison Wylie Final Girl is exactly the movie an up-and-coming actor makes in order to break into the biz. Later, when that actor has gone on to perform in bigger and better things, the breakout role is used as a nomination for film geeks to name obscure low-rent schlock that person had starred in. For some reason, actress Abigail Breslin has decided to work backwards, and make the low-rent schlock after earning an Oscar…
By: Trevor Jeffery The Gift isn’t an exception to the notion that suspense-thrillers lose substantial value on subsequent viewings, but that doesn’t mean it can’t be one hell of a ride the first time through. Simon (Jason Bateman) and Robyn (Rebecca Hall) seek a fresh start in California, not far from where Simon grew up. An old high school acquaintance, Gordon (still going by his high school nickname, Gordo) (Joel Edgerton) approaches Simon and Robin…
By: Addison Wylie Horror masterminds Richard Powell and Zach Green will always pull the best performances out of character actor Robert Nolan. This has been the case with their vividly gruesome short films Worm and Familiar, and while their third collaboration HEIR may be their weakest entry, Nolan unstoppably beams as Gordon – a man suppressing a secret. Powell is back in the director’s chair with HEIR, as well as holding the pen that writes the…
By: Addison Wylie Director Gabriel Carrer’s screenplay of The Demolisher is practically speechless until 18-minutes into the film. However, the audience is so acquainted with the heart-aching leads by then, that Carrer’s film could’ve gotten away with completely being a silent film. If film critic-turned-filmmaker Chris Alexander is carrying out a similar yet more minimalist approach with the horror genre, Carrer could’ve done the same with this crime thriller. Nonetheless, The Demolisher is really good. And…
By: Anthony King GOING IN: There are a lot of films out there that help us escape our lives and live out a fantasy. For men in particular, some want to be an international spy who always gets the lady, an astronaut exploring the galaxy, a mobster in a fancy suit tossing out the kiss of death left and right… or some of us just want to be able to discard our gross bodies and be…
By: Shannon Page Adam Scott has been around for a while and his latest project, the indie sex-comedy The Overnight, is certainly not his first attempt at acting or producing. Though he is probably best known for his work as Ben Wyatt on the television sitcom Parks and Recreation, Scott has also appeared in movies such as Step Brothers, The Aviator and Our Idiot Brother. The Overnight stars Scott as Alex and Taylor Schilling (of…
By: Trevor Jeffery Using the words “unabashed” and “propaganda” together seems redundant, but there isn’t a better way to describe James McTeigue’s Survivor. Kate Abbott (Mila Jovovich) is an officer with the US embassy in London. While on duty, Kate asks a few too many questions to a man she suspects to be (and actually is) a bio-terrorist, before letting him through customs. This sets him and his associates into freak-out mode, and they hire an…
By: Addison Wylie I truly believe that everyone starring in The Forger knows they’re capable of more. John Travolta, Tye Sheridan, Christopher Plummer, everyone. There are moments in Philip Martin’s crime thriller where you can catch an actor glimpse at a chance to open up their performance, but these fleeting breaths are revoked by Martin’s generic filmmaking and Richard D’Ovidio’s routine screenplay. First of all, Travolta doesn’t fit the build of art theif Ray Cutter….