By: Addison Wylie David O. Russell hit the nail on the head by distancing himself from the farcical fumble Accidental Love. To say the film has had a tumultuous past would be putting it lightly – just as saying the movie is merely bad would be doing it a favour. Production on the film (formally named Nailed) began in 2008, and suffered from financial woes and reshoots. James Caan reportedly walked off the set over…
By: Mark Barber Chaitanya Tamhane’s courtroom drama, aptly titled Court, has received broad international acclaim for its compelling minimalism and intelligent use of realism, but also deserves praise for its insightful analysis on the lingering effects of colonialism on India’s legal system. Understated and distanced, Court eschews the familiar Hollywood-style intensity of John Grisham adaptations. A procedural take on the Indian legal systems and the personal lives related to one case, Court examines its postcolonial…
By: Addison Wylie Comedian/marijuana enthusiast Doug Benson has made it his mission to provide stoner versions of documentaries directed by Morgan Spurlock. He started with Super High Me (a half-baked spin on Super Size Me) and continued with The Greatest Movie Ever Rolled (a take off on The Greatest Movie Ever Sold). Benson checks off another title with Chronic-Con Episode 420: A New Dope, which isn’t just an obvious jab at Spurlock’s Comic-Con Episode IV:…
By: Mark Barber Adam Macdonald’s Backcountry is a terrifying mix of Jaws and Blair Witch, but manages to avoid the usual kitschy pastiche of recent Canadian genre films. Unlike the campiness of Wolfcop and Hobo with a Shotgun, Backcountry is an intense, serious horror film. Inspired loosely by tragic events, Backcountry follows a Toronto couple, Alex (Jeff Roop) and Jenn (Missy Peregrym), as they become lost in a camping trip in a northern Ontario park….
By: Mark Barber The post-apocalyptic Canadian film Turbo Kid has only one audience in mind: kids who grew up on Power Rangers. Yet the film is too gruesome and violent for kids, and too vacuous for anyone else. Set in a desolate post-apocalyptic world, an unnamed kid (Degrassi’s Munro Chambers; character simply billed as “The Kid”) finds a suit that formerly belonged to the comic book/real life superhero character Turbo Man (unrelated to a similar character…
By: Shannon Page John Erick Dowdle’s (As Above, So Below; Quarantine) action/thriller No Escape is about an American businessman named Jack (Owen Wilson) and his wife (Lake Bell) who, along with their two young daughters, are caught in the middle of a violent coup in an unnamed Southeast Asian country. The film is surprisingly well-constructed and nuanced – all things considered. The script, which was co-written by Drew Dowdle and John Erick Dowdle, manages to be more self-aware…
By: Addison Wylie Strange is right. Magic? Not so much. Oscar winner Gary Rydstrom takes a stab at feature length directing and writing with animated musical-fantasy Strange Magic, a movie that shouldn’t be anyone’s “first” for anything. It begins as a novelty act with some redeeming moments of punchy animation and terrific duets, and then pushes its luck too far. The story (conceived by Star Wars’ George Lucas) gives audiences two opposing territories. There’s a…
By: Addison Wylie Before Paul Rudd was Ant-Man, before Elizabeth Banks was one of comedy’s leading ladies, and before Bradley Cooper became an Oscar nominated actor/producer, all three actors starred in an indescribable indie comedy called Wet Hot American Summer. The movie also served as a launching pad for Parks and Rec’s Amy Poehler, Stella’s Michael Ian Black, Bad Milo’s Ken Marino, and Brooklyn Nine Nine’s Joe Lo Truglio – all of whom had never…
By: Trevor Jeffery Ciarán Foy’s Sinister 2 startles to the point of frustration, but frightens beyond its use of clichés. In the cellar of his runaway family’s newly squatted home, Dylan joins a pack of ghost kids to watch the snuff films they made, in order to stop his nightmares. It seems counterintuitive, but the snappily dressed leader of the pack insists it helps. Dylan Collins, his brother Zach and his mother Courtney (Shannyn Sossamon)…
By: Addison Wylie How to Make Love Like an Englishman is such a long title. A shorter alternative would be: Weekend Matinée for Mom and Dad. Like last year’s cloying And So It Goes, Tom Vaughan’s rom-com is a film that uses the likability of its stars as counter programming to attract movie goers – primarily older ones who want to spend the tail end of Summer distancing themselves from bombastic blockbusters. Luckily, How to Make…