The Samuel Goldwyn Company
Stars Fell Again
In Stars Fell Again, the extra-cheesy follow-up to 2021’s decidedly unfunny Stars Fell on Alabama from returning director V.W. Scheich, suffers from many of the same flaws as its predecessor — weak characterization, poor pacing, and a lead couple that’s about as interesting as a stack of wet cardboard.
True Things
While far from perfect, director Harry Wootliff’s (Only You) drama True Things is an excellent showcase for actor Ruth Wilson, as well as a challenging portrait of a woman caught between societal expectations and her own desire.
The Royal
Directed by Marcel Sarmiento (The ABCs of Death [D Is for Dogfight], Faceless) and written by Gregory W. Jordan, The Royal is based on the true story of Willie Mays Aikens, a star hitter for the Kansas City Royals (and the Toronto Blue Jays!) who was sentenced to 20 years in prison for drug possession. Before his arrest, Aikens was one of the top sluggers in major league baseball, hitting a total of 110 home runs…
Minamata
Minamata was in the running for the inaugural Fan Favourite Oscar earlier this year. The primary issue: nobody really knew what Minamata was. It was a nominee that was championed by Johnny Depp’s loyal fanbase, and the dedication resulted in the mystery movie coming in third-place ahead of Spider-Man: No Way Home and tick, tick…BOOM!.
Big Gold Brick
By: Trevor Chartrand Big Gold Brick is the brainchild of writer/director Brian Petsos, whose first feature film comes fully-loaded with a surprisingly star-studded cast. Featuring Andy Garcia, Megan Fox, and Oscar Isaac, this surreal comedy-drama has its moments, but ultimately gets bogged down by a slow pace and a series of uneven tonal shifts.
Gaza Mon Amour
Written and directed by Dégradé filmmakers Arab and Tarzan Nasser, Gaza Mon Amour is a sweet, subdued love story set in present-day Gaza.
The Marijuana Conspiracy
The Marijuana Conspiracy, simply put, has no buzz. Unlike The Stanford Prison Experiment, a similar movie about impressionable and intelligent young minds involved in an important study, writer/director Craig Pryce has made a loosely-biographical bore that fails to captivate audiences with substance and style. The film does pride itself on costumes and make-up, and the design artists involved deserve their Canadian Screen Award nominations for their work. But, the film’s effort doesn’t exceed beyond its period…